Poro City Moralo oa Pontšo ka Chieh-Ting, Yushan Martha and Kyoung Eun

Moralo oa Poro City Moralo oa Pontšo ka Chieh-Ting, Yushan Martha and Kyoung Eun ke mohlodi oa khau e hlomphehang haholo ya 2022 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

TšepeKa Hare· 2022

Poro City Moralo oa Pontšo

ka Chieh-Ting, Yushan Martha and Kyoung Eun

Moreki: Architecture for community Los Angeles

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Ka Hare

29,315

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #133740

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Poro City Moralo oa Pontšo

Poro City ke moralo oa pontšo o hahiloeng ka libaki tsa lebese. Libaki tsena li theha sesteme se kang setene seo e seng se bonaleng ka ho phethahala kapa se koetsoeng ka ho felletseng, se tšoereng pontšo ntle le moeli o thata. Marako a phunyelletsoeng a mabifi a theha maponi le ho hopotsa lifasetere tsa breeze block tse fumanoang Los Angeles. Sete ea likarolo tse kopanngoang e bolokoa kapele 'me e ka fetoloa ho loketsa libaka tse fapaneng tse ka hare le kantle. Kaho ena e sebelisa libaki tse 1100 tsa 33 cm ka 33 cm ka 28 cm ka har'a galari ea limithara tse likoahelo tse 200. Mebala e khanyang e fetola ntho e tloaelehileng ea ts'ebetso hore e be sebaka se amohelang batho.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Poro City Moralo oa Pontšo ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Poro City Moralo oa Pontšo e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Poro City Moralo oa Pontšo e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Poro City proposes a dialogue with the many communities of Los Angeles. Milk crates function as a brick system that is neither transparent nor solid, housing the exhibition without imposing a rigid boundary. The milk crate's flexibility allows for various design options that can adapt to different spaces. Moreover, its immediately familiar iconography makes it approachable to a wide range of audiences.
Boholo le Phuthelo: It is constructed with 1100 counts of 33 cm x 33 cm x 28 cm milk crates and distributed in a 200 square meters gallery.
Lithegi: exhibition design, reuse, second life,
Theknoloji ya Tlhahiso: Our modular crate system was designed to be easy and fast to assemble. With the help of volunteers, we were able to construct all of the walls in less than a day. COVID has kept many of us indoors, so it was great to get together at Helms Bakery for the exhibition.
Phephetso ya Moralo: Due to the viral milk-crate challenge from Tik Tok, and to discourage climbing on the walls, we also made the decision to treat seating as a separate element rather than integrating it with the exhibition walls.
Dipatlisiso: We were inspired by the project brief, which called for a design that could be distributed at indoor and outdoor sites throughout Los Angeles. We wanted our design to be recognizable regardless of its location, and to create a space while connecting to each unique neighborhood. We settled on a kit-of-parts construction using milk crates as our primary building material due to their adaptability and recognizability. Assembled as undulating porous walls, crates frame views and emphasize the experiential relationship between exhibition and site. The stacked brick pattern recalls the textures of breeze block walls, iconic surfaces of the LA landscape. The final result is a welcoming and vibrant exhibition in an array of vivid colors.
Kgothaletso: Packaging is often a means to an end. We receive a good, unwrap it, and discard the container. However, some forms of packaging, like shipping crates and pallets, are designed for durability and reuse. These sturdy qualities often inspire more robust modes of use than initially intended. The same is true for the milk crate.
Nako ya Projeke: It is located at Culver City, California. It starts construction on October and stand in the gallery from November to December.
Tsamaiso ya Mosebetsi: Our vision for this exhibition was to exemplify the ability of people to create the extraordinary from the mundane. Showcasing milk crates, which by their nature are utilitarian objects, celebrates this resourcefulness. The bright and unexpected colors further elevate and transform the material and show it in a new way.
Litho tsa Sehlopha: Chieh-Ting Chuang
Martha Kriley
Yushan Men.
Litlotla tsa Setshwantsho: Photo credit: Dylan Corr, Kyoung Eun Park
Video Credit: Martha Kriley. Gary Doran
Graphic Credit: Nick Imbriale, Christopher Manzano, Philana Kim