Ryukyu Sanctuary Moralo oa ka Hare oa Resturante ka Shinjiro Heshiki

Moralo oa Ryukyu Sanctuary Moralo oa ka Hare oa Resturante ka Shinjiro Heshiki ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

TšepeKa Hare· 2026

Ryukyu Sanctuary Moralo oa ka Hare oa Resturante

ka Shinjiro Heshiki

Moreki: Shabu Shabu Ryukyu

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Ka Hare

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #173349

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Ryukyu Sanctuary Moralo oa ka Hare oa Resturante

Ryukyu Sanctuary ke moralo oa ka hare oa resturante o fumanehang Seterateng sa Kokusai-dori, Naha, Okinawa. Karolo e ka pele ea moaho e bopehile joaloka khetla ea likorale, e entsoeng ka lithupa tsa tšepe tse kobiloeng ka mokhoa o ikhethileng le tse pentiloeng ka letsoho ka mebala ea boputsoa ba likorale le e tala ea emerald. Ha ba feta monyako, baeti ba tloha seterateng se phathahaneng ba kena kamoreng ea lijo e khutsitseng. Marako a manehiloeng ka letsoho a boetse a bopa sebopeho sa likorale. Lerako le arolang la khalase e mebala-bala la limilimithara tse 4700 ka 1700 le nkile mekhabiso ea leoatle le naha ea Okinawa. Khalase ea Ryukyu le mabone a sa otlolohang li phethela sebaka sena.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Ryukyu Sanctuary Moralo oa ka Hare oa Resturante ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Ryukyu Sanctuary Moralo oa ka Hare oa Resturante e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Ryukyu Sanctuary Moralo oa ka Hare oa Resturante e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Located on Okinawa's busy Kokusai-dori, the facade's coral shell evokes a reef in emerald green seas, acting as a portal. In Okinawa, coral symbolizes protection and life. This design bridges tradition with modern art via hand-crafted plaster that recreates the tactile texture of reefs. Inside, city noise fades into a serene, underwater dimension. The sanctuary mirrors the mythical Dragon Palace, a space where local heritage, craftsmanship, and hospitality coexist in harmony.
Boholo le Phuthelo: Stained-glass: 4700 mm x 1700 mm. Floor area: 154 sqm. Ceiling height: 2800 mm. Structure: Reinforced Concrete. Finishes: Hand-plastered art walls, steel flat-bar art painting, custom Ryukyu glass installations.
Lithegi: Okinawa Design, Ryukyu Glass, Coral Reef Architecture, Undersea Atmosphere, Ryugu-jo Concept, Handcrafted Plaster Art, Japanese Restaurant, Light and Shadow, Cultural Identity, Authentic Ryukyu Modern
Theknoloji ya Tlhahiso: The facade features custom-curved steel bars hand-painted in coral-blue and emerald tones to mimic reef rhythms. Interior walls use hand-plastered textures to recreate the tactile depth of coral formations. A 4700mm x 1700mm glass partition combines stained-glass artistry with traditional motifs. By integrating Ryukyu glass with indirect lighting, the design achieves a balance of materiality and ethereal light, blending local craftsmanship with contemporary spatial art.
Phephetso ya Moralo: Strict fire codes required smoke exhaust windows on the facade, while local laws prohibited external signage. These constraints were overcome by using the cubic curvature of custom steel bars to mask functional elements, creating a facade that acts as its own landmark. By integrating a banyan tree motif into the play of shadows, the building achieves a distinctive identity that prioritizes artistic expression over conventional commercial branding, harmonizing necessity with creativity.
Dipatlisiso: This project explores the link between Okinawa and the sea, using coral as a vital cultural symbol. Research focused on translating coral's protective qualities into a spatial experience. By using local craft and Ryukyu glass, the design reinterprets natural elements for a modern context. Despite strict fire and signage codes, the project transformed legal constraints into a landmark facade that honors marine heritage and Okinawa's poetic spirit.
Kgothaletso: Inspired by Ryugu-jo, the mythical undersea palace. This project embodies "Authentic Ryukyu Modern" by blending Okinawan heritage with contemporary luxury. It seeks to recreate the serene beauty of coral reefs submerged in emerald green waters, redefining traditional motifs into a timeless spatial experience that honors the island's natural and cultural roots.
Nako ya Projeke: Design planning for the project began in February 2024 in Naha, Okinawa, with construction completed in July 2024.
Tsamaiso ya Mosebetsi: The journey begins on vibrant Kokusai-dori Avenue. Passing through the coral shell facade, guests experience a dramatic sensory shift as urban noise is replaced by serene silence. This threshold acts as a portal to another dimension. Inside, the play of light through Ryukyu glass and tactile reef-like walls create an immersive underwater world. This transition from the chaotic city to a tranquil sanctuary allows diners to lose track of time, fully entering the mythical atmosphere of the Dragon Palace.
Diphatente: Copyrights belong to Conception Co., Ltd., 2025.
Litlotla tsa Setshwantsho: Photographer: Masahiro Ishibashi