Jam Base Primary Function: Kahare ka Hare ea Sebaka sa Mosebetsi ka surDL

Moralo oa Jam Base Primary Function: Kahare ka Hare ea Sebaka sa Mosebetsi ka surDL ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

SileveraKa Hare· 2026

Jam Base Primary Function: Kahare ka Hare ea Sebaka sa Mosebetsi

ka surDL

Moreki: ORIX Real Estate Corporation

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Ka Hare

15,631

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #181508

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Jam Base Primary Function: Kahare ka Hare ea Sebaka sa Mosebetsi

Book Text: Jam Base ke sebaka sa ho theha hammoho se fumanehang Grand Green Osaka, se qapiloeng e le karolo ea serapa le karolo ea moaho. E entsoe bakeng sa likopano tse sa lebelloang, e sebetsa e le sethala moo basebelisi ba fapaneng ba kopanang le ho theha hammoho. E tsamaisoa ke Midori, Yohaku, le Gocha Gocha, meralo e teteaneng har'a atrium e bohareng e nang le libaka tsa maemo a mangata le potoloho e kopanang e lumellang mesebetsi ho kopana. Matshwao a bonolo a sebaka a tšehetsa ho bokana le ho sebelisana. Ho e-na le ho beha mananeo a sa fetoheng, sebaka se hōla le batho ba sona, se sebetsa e le sehlopha se phelang se ntlafatsang tšebelisano le matla a toropo.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

Jam Base Primary Function: Kahare ka Hare ea Sebaka sa Mosebetsi ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. Jam Base Primary Function: Kahare ka Hare ea Sebaka sa Mosebetsi e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Jam Base Primary Function: Kahare ka Hare ea Sebaka sa Mosebetsi ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Jam Base is a hybrid spatial ecosystem that dissolves the boundaries between park and building to catalyze serendipitous encounters. Designed as a co-creation hub within Grand Green Osaka, it enables diverse users to converge and generate new value. Obliquely oriented volumes and intersecting circulation around a central atrium materialize simultaneous activities. Conceived as an organic collective, the space evolves through the actions and relationships of its participants. What sets Jam Base apart is its unfinished "Yohaku" quality shaped by "Gocha Gocha," a vibrant diversity that acts as a catalyst for connection.
Boholo le Phuthelo: Jam Base is a mixed use complex totaling 10000 sqm, centered on a nine story main tower within Grand Green Osaka. Diagonally arranged volumes create overlap, allowing wind flow and spatial openness. Organized around a central atrium, its three dimensional layout enables intersecting sightlines and movement. The project includes 13,920 sqm of painted surfaces in 51 colors, 121 graphic works, 1,001 books, 1,062 plants, 1,490 chairs, and 3,415 furniture pieces. Wood, metal, and plaster finishes support long term use with flexible layouts for renewal.
Lithegi: co-creation hub, hybrid architecture, urban platform, spatial ecosystem, serendipity, adaptive space, Japanese design philosophy, mixed-use architecture, collaborative space, innovation hub, spatial ecosystem
Theknoloji ya Tlhahiso: spatial planning, circulation design, mixed-use programming, adaptive architecture, interior-exterior integration, user-driven space, environmental graphics, modular furniture, flexible layout systems
Phephetso ya Moralo: The greatest challenge was creating a facility that could stimulate innovation in Japan's urban environment. It had to move beyond a conventional workplace. The design embraced ambiguity and unfinished architecture shaped by users. Excessive openness risked compromising safety, requiring careful zoning and circulation planning. Realizing Gocha Gocha as a creative driver became the core strategy, balancing diversity and spatial control.
Dipatlisiso: The design research focused on how spatial configuration can stimulate unexpected interactions in urban environments. Through analysis of user behavior, circulation patterns, and co-creation ecosystems, the project explores how architecture can act as a catalyst for collective creativity. The outcome demonstrates how spatial openness and layered circulation can generate new relationships, activities, and evolving uses over time.
Kgothaletso: Jam Base was conceived with a vision to redefine how co-creation functions within a city: a spatial system that transforms the urban environment into a platform for collective creativity. It connects business, education, government, and local communities where ideas meet by chance. Guided by the Japanese concepts of Midori, Yohaku, and Gocha Gocha, the design encourages spontaneous collaboration. Through its atrium and intersecting circulation, everyday encounters become a driver for innovation.
Nako ya Projeke: The project was initiated in 2014 as part of the Grand Green Osaka urban redevelopment in Osaka, Japan. Planning and design were carried out between 2019 and 2020, and the project was completed and opened in September 2024 in the Umekita district of Osaka.
Tsamaiso ya Mosebetsi: The space is intentionally left open-ended, allowing users to actively shape and redefine its functions over time. Through continuous use, the environment evolves dynamically, reflecting the diversity of its participants and their interactions. By integrating open programs and flexible spatial configurations, the design supports spontaneous encounters and ongoing transformation.
Litho tsa Sehlopha: surDL
Makoto Inagaki (surDL)
Mengxi Li (surDL)
Hagane Watanabe (surDL)
Mika Kamemura (surDL)

Nikken Sekkei Ltd
Takahiro Oka (Nikken Sekkei Ltd)
Takafumi Yamamoto (Nikken Sekkei Ltd)

Takenaka Corporation
Litlotla tsa Setshwantsho: Image #01:Photographer Taichi Misonoo
Image #02:Photographer Akira Ito
Image #03:Photographer Nacása & Partners Inc.
Image #04:Photographer Taichi Misonoo
Image #05:Photographer Taichi Misonoo
Video Credits: WOW inc.