Constructing The Intangible Tšebetso ya Sehlooho: Setšoantšo sa Mohopolo ka Yuanying He

Moralo oa Constructing The Intangible Tšebetso ya Sehlooho: Setšoantšo sa Mohopolo ka Yuanying He ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dikerafikhe, Ditshwantsho le Puisano ka Pono.

TšepeKerafikhe· 2026

Constructing The Intangible Tšebetso ya Sehlooho: Setšoantšo sa Mohopolo

ka Yuanying He

Moreki: K3ntiv3

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Kerafikhe

7,314

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #181673

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Constructing The Intangible Tšebetso ya Sehlooho: Setšoantšo sa Mohopolo

Mongolo wa Buka: Ho Aha se sa Bonahaleng ho hlahloba mohopolo e le ts'ebetso ya ho aha hape ho fapana le ho boloka. Ho khothalelitsoe ke monko o fetang oa lipalesa tsa pomelo tsa bongoaneng, mosebetsi ona o sebelisa likarolo tsa meralo joalo ka li-cranes, li-grids le litepisi tse sa lumellaneng ho bona sebopeho sa ho hopola. Mohopolo o hlahisoa e le ketso e sebetsang ya ho kopanya likotoana tsa nakong e fetileng ho aha boitsebiso ba hajoale. Ka puo e thibetsoeng ea sebopeho, sengoloa sena se fetolela boiphihlelo bo sa bonahaleng ba maikutlo hore e be sebopeho se bonahalang sa sebaka.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Constructing The Intangible Tšebetso ya Sehlooho: Setšoantšo sa Mohopolo ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Constructing The Intangible Tšebetso ya Sehlooho: Setšoantšo sa Mohopolo e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Constructing The Intangible Tšebetso ya Sehlooho: Setšoantšo sa Mohopolo e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Constructing the Intangible explores the architecture of memory. This artwork examines how sensory fragments, specifically the ephemeral scent of the past, are reorganized. Memory is presented not as static preservation, but as an active secondary rendering shaped by narrative coherence. Utilizing a structural language bridging nature and architecture, the design transforms intangible sensory experiences into visible forms. Past fragments serve as scaffolding to support selfhood.
Boholo le Phuthelo: High-resolution digital artwork.
Dimensions: 3600 x 3600 pixels.
Color space: RGB.
Format: Digital illustration suitable for print and screen display.
Lithegi: memory reconstruction, olfactory memory, architectural metaphor, narrative identity, secondary construction, spatial abstraction, sensory memory, autobiographical memory
Theknoloji ya Tlhahiso: The artwork was created using digital illustration techniques. A structured grid-based composition system was applied to organize spatial elements. Layered vector and raster rendering methods were combined to achieve depth and architectural precision. The visual system references drafting language and construction schematics to reinforce the conceptual framework.
Phephetso ya Moralo: The primary challenge was translating an invisible and ephemeral sensory experience into a coherent spatial structure. The work avoids literal representation of scent and instead constructs a layered architectural system to express memory reconstruction. Balancing structural precision with emotional ambiguity required careful control of composition, grid systems, and visual hierarchy.
Dipatlisiso: This project explores autobiographical memory reconstruction through visual metaphor. Drawing from narrative identity theory and cognitive psychology, it investigates how memory is not a fixed recording but an active reconstruction shaped by perception and storytelling. Olfactory memory, particularly childhood scent associations, serves as an anchoring mechanism to translate intangible sensory recall into spatial and architectural language.
Kgothaletso: The inspiration originated from a simple observation: describing a dream after waking is already an act of secondary representation and reconstruction. The cool scent of pomelo blossoms from childhood serves as a sensory anchor. This fleeting memory is deconstructed into an orderly “construction site”. Cranes, grids, and misaligned staircases symbolize the subtle imperfections and ongoing rebuilding inherent in human recollection.
Nako ya Projeke: The project was conceptualized and completed in February 2026 in Shenzhen, China.
Tsamaiso ya Mosebetsi: The viewer engages with the artwork through visual navigation. Misaligned staircases, cranes, and grid structures guide the eye toward a central focal point, mirroring the cognitive process of memory reconstruction. The interaction is interpretive rather than functional, inviting reflection rather than instruction.
Diphatente: This project is an original conceptual artwork created by the artist. It is not associated with any registered patents or trademarks. All intellectual property rights belong solely to the artist.
Litlotla tsa Setshwantsho: All visual elements, illustrations, and conceptual content in this project are original works created solely by the artist. No third-party materials, stock images, templates, or external visual assets were used in the creation of this work.