Uketamo Moralo oa Ka Hare oa Hotele ka Chris Yj Chen

Moralo oa Uketamo Moralo oa Ka Hare oa Hotele ka Chris Yj Chen ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

BoronseKa Hare· 2026

Uketamo Moralo oa Ka Hare oa Hotele

ka Chris Yj Chen

Moreki: Chris YJ Chen

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Ka Hare

6,725

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #183112

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Uketamo Moralo oa Ka Hare oa Hotele

Uketamo ke moralo oa ka hare oa hotele o fumanehang Seterekeng sa Daan, Taipei, Taiwan. Moralo ona o fetola mohopolo oa ho amohela hore e be leeto la sebaka. Litepisi tse bohareng li hokahanya liphaposi tsa kamohelo tsa mekato e meraro, e emelang nako e fetileng, ea hajoale le e tlang. Litepisi tsena li na le foreime ea tšepe e koahetsoeng ka lithaele tsa Italy, 'me marako a na le sekoahelo sa liminerale se entsoeng ka matsoho se nang le sebopeho se kang sa mobu. Lesela le lelelele la limithara tse supileng le lohiloeng ka matsoho le fetoha ho tloha ho indigo e tebileng ho ea ho boputsoa bo bobebe. Libaka li eba khanya ha baeti ba nyoloha, li ba tsamaisa ho tloha lerata la toropo ho ea khutsong.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Uketamo Moralo oa Ka Hare oa Hotele ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Uketamo Moralo oa Ka Hare oa Hotele e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Uketamo Moralo oa Ka Hare oa Hotele e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: By reinterpreting this ancient pilgrimage within a contemporary urban void, the designer crafted a 'Staircase of Time'. This ritualistic path invites travelers to embark on a meditative ascent that strips away the city's noise, allowing the soul to progress through a profound spiritual realignment. As guests traverse the levels, they move beyond the physical structure to experience a state of rebirth, ultimately restoring the spirit to its primal 'Zero' state.
Boholo le Phuthelo: The central wall features a monumental 7 meter long tapestry by Yamagata Dantsu, a workshop founded in 1935. This bespoke textile was meticulously crafted over six months, integrating traditional thread cultivation, custom dyeing, and expert hand-tufting by skilled artisans. This ensures a seamless gradient transition from deep indigo to the ethereal pale blue-white of dawn light.
Lithegi: Hotel,Uketamo,Hotel Uketamo,Taiwan,Paradox Studio,Yamagata
Theknoloji ya Tlhahiso: The staircase is constructed with a structural steel frame clad in Italian tile. The surrounding walls are finished with ONE DUST Colorwash Extra, a premium mineral-based coating. This mineral paint is applied using a hand-layered technique to achieve a monolithic, earthy texture that evokes a mountain path.
Phephetso ya Moralo: The primary challenge was translating the metaphysical 'Uketamo' philosophy into a tangible architectural experience within a constrained urban footprint. It required balancing physical materiality with a spiritual narrative through three key strategies:

1. Cultivating Acceptance through Movement:
One of the greatest challenges was designing the vertical circulation to facilitate a state of total acceptance (Uketamo). The goal was to create a space that could instinctively quiet the mind; by manipulating spatial volume and rhythm, the design transformed the act of climbing into a meditative process, allowing guests to unconditionally embrace the transition from urban chaos to inner stillness.

2. Metaphorical Translation: Synthesizing the "Three Mountains of Dewa" required precise control over material density. The designer overcame this by engineering a vertical sensory shift: moving from heavy, grounded textures on the lower floors to ethereal, light-driven surfaces at the peak, ensuring the spiritual timeline was perceptible through touch and sight.
3. Interactive Sightlines: We conducted a rigorous sightline analysis to align the staircase's open-riser structure with the monumental 'Yamago Agu' (looking up to the sacred mountain) tapestry. This ensured that the transition from a "look-up" (awe) to an "overlook" (clarity) perspective remained perfectly synchronized with the guest's physical ascent, successfully turning a functional transit void into a ritualistic, cinematic journey.
Dipatlisiso: The Trilogy of Life: The Arboreal Journey
The central staircase acts as the architectural sapwood, vertically interconnecting the 4th, 5th, and 6th-floor lobbies into a living allegory of a tree’s growth and spiritual evolution. The design maps the "Roots-Branches-Leaves" sequence onto a temporal timeline, creating a cohesive narrative arc where movement through space mirrors the journey of life.
4F: Solid Roots (The Past). Representing the foundation of being, the design language is grounded and tactile. Heavier textures and structural honesty evoke the stability of ancient roots deep within the mountain soil.
5F: Layered Branches (The Present). The main arrival point mimics the complexity of interlocking branches. Here, social interaction and functional layers intersect, capturing the vibrant, active energy of the canopy.
6F: Ethereal Leaves & Water Shadows (The Future). As the staircase reaches its peak, lightness defines the atmosphere. Sunlight filters through high windows, creating an effect of "leaves falling onto water shadows," symbolizing spiritual transcendence and rebirth.
Through this Vertical Connectivity, the architecture physically "lightens" as guests ascend. By transitioning from the density of the roots to the transparency of the sky, the design facilitates a profound Sensory Transformation, guiding the observer toward the ultimate state of Uketamo (Unconditionally Acceptance).
Kgothaletso: In the heart of Taipei Daan District, HOTEL UKETAMO explores the urban sanctuary through the lens of Japanese philosophy: Uketamo, a state of acceptance.
The project reimagined the traditional lobby and circulation into a 'Vertical Pilgrimage' rooted in the spiritual heritage of the Yamabushi monks from the Three Sacred Mountains of Dewa. Each level of this architectural intervention mirrors the sacred peaks' symbolism of existence: the Past, the Present, and the Future.
Nako ya Projeke: Completed in August 2025. Taipei, Taiwan.
Tsamaiso ya Mosebetsi: The center staircase is a vertical 'Cosmic Axis' bridging the celestial and the terrestrial, guided by the principle of 'As above, so below.' The Zenith, symbolizing the Origin of the Universe, acts as a spiritual 'Sun' cascading light like shimmering dewdrops. This light is captured at the base by a reflective 'Mirror Moon,' forming a Complete Circle that embodies the spiritual cycle of the Three Sacred Mountains of Dewa. This infinite resonance between the Past, Present, and Future suggests that the vastness of the universe and the reincarnation of life are both held within the stillness of the self. Within this axis, the staircase serves as a cinematic platform for the monumental tapestry, 'Yama o Aogu' specially commissioned from the renowned Yamagata Dantsu team. As guests traverse the levels, their vision evolves through a shifting perspective: from a humble look-up (awe) at the mountain's roots to a clear overlook (clarity) at its peak. This movement, echoing the transition from dawn to dusk, reflects an internal evolution, positing that the 'angle of the heart' ultimately determines how one perceives the mountain of life.
Litho tsa Sehlopha: Design Director: Chris YJ Chen
Architect: TC Kuo
Designer: Emma Hsu
Litlotla tsa Setshwantsho: Photographer: Andrew Kan