Plus 81 Bara, Sebaka sa Boithabiso sa Bosiu ka Takahiro Todoroki

Moralo oa Plus 81 Bara, Sebaka sa Boithabiso sa Bosiu ka Takahiro Todoroki ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

BoronseKa Hare· 2026

Plus 81 Bara, Sebaka sa Boithabiso sa Bosiu

ka Takahiro Todoroki

Moreki: Engine, Inc

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Ka Hare

6,585

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #183476

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Plus 81 Bara, Sebaka sa Boithabiso sa Bosiu

Plus 81 ke ka hare ho bara le sebaka sa boithabiso sa bosiu se ka hare ho lebenkele le leholo le seng le tsofetse. Sefahleho sa moaho se tshwana le setsha sa kaho sa nakwana se koahetsweng ka dikoranta tsa Sejapane, mme monyako o patilwe ka mora lebenkele la dipopae, e leng se etsang phetoho ya butle-butle ho kena ka hare. Bara e bohareng e tiisa moralo, ha dibaka tse e potileng di tshehetsa ho ja, ditulo tsa boiketlo, karaoke le dikopano tsa lekunutu. Siling ya sebopeho sa marang-rang e nang le mabone a RGB e arabela bophahamong bo tlase ba siling mme e eketsa morethetho o bonahalang. Disebediswa di kenyelletsa tshepe e kentsweng zinki, diipone tse betlilweng le fatshe la resine le nang le mongolo wa ditshwantsho.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Plus 81 Bara, Sebaka sa Boithabiso sa Bosiu ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Plus 81 Bara, Sebaka sa Boithabiso sa Bosiu e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Plus 81 Bara, Sebaka sa Boithabiso sa Bosiu e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This project introduces a Neo Tokyo Speakeasy hidden within an aging mall, blending into its surroundings with a facade resembling a temporary construction site clad in Japanese newspapers. A concealed entrance through a figure shop creates a narrative transition into a vibrant interior. The design contrasts secrecy and spectacle, revealing a dynamic nightlife space. A grid ceiling with RGB lighting compensates for low height while generating visual rhythm, transforming spatial limitations into an immersive experience.
Boholo le Phuthelo: Total area: 240 sqm. Ceiling height: 2355 mm. Structure: steel frame. Materials: wood panels, plaster with aggregates, etched mirrors, zinc-galvanized steel, resin, LED neon. Ceiling: timber frame with paint and random zinc panel cladding. Floor: pigmented mortar with urethane coating and kanji graphics. Walls: wood panels, plaster, mirrors, printed wallpaper. Lighting: 50 lux ambient, 2700K. Equipment includes projection mapping floor, digital display columns, and Void Acoustics sound system.
Lithegi: Club, Bar, Lounge, Speakeasy, Japanese, Philippines, Anime, Manga
Theknoloji ya Tlhahiso: The spatial design integrates club, bar, dining, and karaoke functions through strategic zoning and circulation planning. A central bar anchors the layout, while surrounding areas enable continuous movement. Acoustic performance was optimized by avoiding flat surfaces and applying geometric wall patterns. Materials include zinc-galvanized steel with exposed rivets, etched mirrors with integrated RGB lighting, and resin-coated flooring with graphic typography. Construction methods were systematized to match local skill levels, supported by detailed drawings and modular fabrication techniques.
Phephetso ya Moralo: The main challenge was designing a high-impact nightlife space within the constraints of a low ceiling and limited footprint in an aging commercial building. Additionally, the complexity of the design led many contractors to decline participation, and initial costs exceeded the budget. These issues were addressed by simplifying construction systems and clearly communicating design intent through detailed drawings. Continuous adjustments and rework were required to achieve the intended quality under inconsistent construction conditions and scheduling delays.
Dipatlisiso: This is an applied interior and experience design research. The objective was to create a multifunctional nightlife venue within a low ceiling and limited footprint by reinterpreting Japanese subculture. The methodology integrated zoning, atmospheric design, acoustic control, and narrative sequencing over a 3-month design and 7-month construction period. Data were gathered through user scenarios, site constraints, and mock-ups using drawings, 3D models, lighting tests, and material studies. The result enhanced user engagement and commercial performance.
Kgothaletso: The design is inspired by Japan 1980s and 1990s subculture and bubble era nightlife, reinterpreted in a contemporary context. It draws from manga, neon, and retro materials to evoke nostalgia and energy. The concept also reflects the idea of multifunctional entertainment spaces, similar to karaoke culture in Japan. Given the limited scale, the project aims to maximize usage beyond nightlife by creating zones adaptable for dining, socializing, and private gatherings, merging cultural memory with modern urban lifestyles.
Nako ya Projeke: This project began its design phase in Japan in 2023 and opened in Manila, Philippines, in May 2025.
Tsamaiso ya Mosebetsi: The venue operates as a lounge bar and restaurant on weekdays and transforms into a nightclub on weekends. It accommodates diverse user needs, including dancing, dining, drinking, and karaoke. Guests enter through a hidden route, gradually building anticipation before reaching the main space. The layout encourages exploration, allowing users to move freely between zones such as bar counter, lounge seating, and private rooms. This layered experience creates excitement and discovery, making each visit unique and engaging.
Litlotla tsa Setshwantsho: Photographer : Katsumi Hirabayashi