Moralo oa Carimbo Setempe ka Igor Pinheiro ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dikerafikhe, Ditshwantsho le Puisano ka Pono.

TšepeKerafikhe· 2020

Carimbo Setempe

ka Igor Pinheiro

Moreki: Igor Pinheiro

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Kerafikhe

11,175

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #84998

Fumana Hona Jwale Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Carimbo Setempe

Setempe sa ho khetholla mong'a sona le mosebetsi oa hae le ho se isa hohle. Qalong, sepheo e ne e le ho fumana tsela ea ho atamela lefats'e le kantle ho naha. Ntho e kang karete ea khoebo, e kopaneng feela, e theko e tlaase ebile e mosa tikolohong. Kahoo setempe (carimbo) e ne e le khetho. Siginesha. Karolo ea eona e ka hare e emetse ts'ebetso ea Igor e ferekanyang le e ntle ea sebopeho, athe sebopeho se potolohileng se e koahela ka botlalo 'me se e fa morero. Tsena tse peli tse kopaneng li haha moetso oa enke o ka phallang, o fana ka ts'ehetso e phethahetseng ho lebitso la hae. Qetellong, Minion Pro o ngola lintlha tsa puisano ka mosa.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Carimbo Setempe ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Carimbo Setempe e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Carimbo Setempe e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: A stamp to identify its owner and his work and take it everywhere. The inner part represents Igor's confusing and beautiful creative process, while the round frame wraps it up in fluidity and gives it purpose. These two combined build a texture the ink can flow through, providing the perfect support to his personal brand. At last, Minion Pro gracefully writes the contact information.
Boholo le Phuthelo: Measuring 38,1 x 38,1 mm (1,5 x 1,5 in), this stamp was made to fit anywhere, from Post-its to envelopes, and yet bear appropriate readability. It's a point to attract the eye and it's a circle to seize space.
Lithegi: stamp, carimbo, paper, tinta, design, signature, custom made, business card, ink, rubber stamp
Theknoloji ya Tlhahiso: Tools used for the completion of the project itself include Adobe Illustrator, Adobe Bridge, a MacBook Pro and a Wacom Intuos tablet. Later, Adobe Photoshop, a Nikon D3200 and some Nikkor lenses were additionally used for the presentation construction.
Phephetso ya Moralo: One of the most challenging aspects was whether a design so intricate could be done. The question was about it being either feasible or just a bleed-prone design. It should produce sufficient clarity, not only to its ornaments but to type these supported. However, the crucial point was the availability of suppliers that could deliver the stamp. Manual etching was not a practical option, so finding a capable rubber-stamp maker was key. Those aspects, once met, proved Carimbo possible.
Dipatlisiso: The functioning and visual language behind stamps were under careful observation. It was to understand how they work and their characteristics. Research demonstrated how some designs often aid inherent stamping limitations. By using ornaments perhaps too complex for such a limited medium, they become canvases for misprints. The outcome is a unique textured combination of deliberate features and pure chance. This reasoning informs engraving attributes, e.g. contrast, as it did this project's.
Kgothaletso: The stamp is a signature. That's the sentence that best summarizes this project. At first, the intention was to find a way of approaching the offline world. Something like a business card, only classier, cheaper and environment friendly. So a stamp (carimbo) was the choice. A stamp to identify its owner and his work and take it everywhere. A signature.
Nako ya Projeke: The project began in about August 2014 in Caruaru. Occasional sketching and research filled the following five to six months leading into 2015. The final design was, then, worked on, tested, its corresponding rubber stamp ordered. Photos were taken, assets were made. A month or so later, Carimbo was published in March 2015.
Tsamaiso ya Mosebetsi: You make sure the rubber stamp is clean, as not to yield unwanted artifacts. Dab it on an ink pad a few times, on several spots to get a thorough spread. To remove any excess and so avoid bleeds, do it over briefly right before stamping. Now press it on a clean flat paper surface. Apply even pressure across the mount in a gentle but firm manner. Wait, then pull the stamp up with a swift motion. Tilt the handle with caution towards one direction, if a specific part of the print lacks legibility.
Diphatente: Copyrights belong to Igor Pinheiro, 2015.
Litlotla tsa Setshwantsho: Image #1: Art Director Igor Pinheiro, Last Slide, 2015.
Image #2: Art Director Igor Pinheiro, Paper, 2015.
Image #3: Art Director Igor Pinheiro, Stamp 2, 2015.
Image #4: Art Director Igor Pinheiro, Frame, 2015.
Image #5: Art Director Igor Pinheiro, Stamp, 2015.