Wonderland Primary Function: Moralo oa ka hare oa Setsi sa Pontšo ka Chengzhe Zhang

Moralo oa Wonderland Primary Function: Moralo oa ka hare oa Setsi sa Pontšo ka Chengzhe Zhang ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

SileveraKa Hare· 2020

Wonderland Primary Function: Moralo oa ka hare oa Setsi sa Pontšo

ka Chengzhe Zhang

Moreki: Shanghai Hongshida Real Estate Development Co., LTD

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Ka Hare

25,685

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #92667

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Wonderland Primary Function: Moralo oa ka hare oa Setsi sa Pontšo

Book Text: Wonderland ke sebaka sa ka hare sa setsi sa pontšo se Shanghai, China. Moralo ona o bululetsoe ke Taoyuan Wonderland, setšoantšo sa sebaka se ntle se entsoeng ke moqami oa lesika la borena la Ming Qiu Ying, 'me o sebelisa mebala e tala, e pinki le e tšoeu sebakeng se khutsitseng. Lebota la lejoe le letšo pele le pata pono, 'me holo e ka sehloohong e phahameng limithara tse leshome e senoloa ho latela tsela. Tsela e bohareng e isa sebakeng sa likopano, sebakeng sa pontšo le kamoreng ea tee. Li-shelufu tsa libuka tse emeng fatše le liskrini tse nang le likheo tsa jeometri li arola libaka. Sesebelisoa sa khalase se leketlileng se nang le lipetsana tse fetang 5,000 tsa peach se ile sa kenngoa ka matsoho.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

Wonderland Primary Function: Moralo oa ka hare oa Setsi sa Pontšo ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. Wonderland Primary Function: Moralo oa ka hare oa Setsi sa Pontšo e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Wonderland Primary Function: Moralo oa ka hare oa Setsi sa Pontšo ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Boholo le Phuthelo: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Lithegi: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Theknoloji ya Tlhahiso: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Phephetso ya Moralo: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Dipatlisiso: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Kgothaletso: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Nako ya Projeke: The Project started in January 2018 in Shanghai China
Tsamaiso ya Mosebetsi: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Litho tsa Sehlopha: Mingxin Lu
Yunhui Tang
Litlotla tsa Setshwantsho: Main Image: Photographer Hai Zhu, 2018