Monk Latin and Arabic Geometric Mofuta Oa Typeface ka Paul Robb

Moralo oa Monk Latin and Arabic Geometric Mofuta Oa Typeface ka Paul Robb ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dikerafikhe, Ditshwantsho le Puisano ka Pono.

SileveraKerafikhe· 2020

Monk Latin and Arabic Geometric Mofuta Oa Typeface

ka Paul Robb

Moreki: Salt & Pepper

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Kerafikhe

69,460

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #95978

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Monk Latin and Arabic Geometric Mofuta Oa Typeface

Moitlami o batla ho leka-lekana lipakeng tsa ho pepeseha le ho ba le semelo sa li-serifs tsa batho tsa botho le tšobotsi e tloahelehileng ea seriti ea sans mraba. Leha e ne e entsoe pele e le mofuta oa puo ea Selatine, ho ile ha etsoa qeto esale pele hore e hloka puisano e pharaletseng ho kenyelletsa mofuta oa Searabia. Ka bobeli Selatine le Searabia li re rala maikutlo a tšoanang le mohopolo oa jiometri e arolelanoang. Matla a moralo o tšoanang o etsa hore lipuo tse peli li be le kutloano le mohau. SeArab le Selatine li sebetsa hammoho ka mokhoa o iketlileng ba bile ba e-na le li-counters, botenya le mefuta e metenya.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

Monk Latin and Arabic Geometric Mofuta Oa Typeface ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. Monk Latin and Arabic Geometric Mofuta Oa Typeface e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Monk Latin and Arabic Geometric Mofuta Oa Typeface ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Monk is a multi-language geometric harmoniously balanced font in Arabic and Latin. The font family has its origins from the Benedictine and Franciscan writing. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms. Monk is a type family that seeks a balance between the openness and legibility of humanist sans serifs. Letterforms have a distinct direction of the ductus, a wide overall stance, large open counters that help in its legibility.
Boholo le Phuthelo: True Type and Open Source Font
Lithegi: Typeface design, Font Design, Font Family, Monk, Graphic typeface
Theknoloji ya Tlhahiso: Designed and produced in Fontographer
Phephetso ya Moralo: The challenge was to create a modern typeface based on the historical research.
Dipatlisiso: The Monk font family has its origins from the Benedictine and Franciscan writing. The initial research was based around the ancient text stored in and around Umbria in central Italy. Analyzing the form and structure of the monk's letter we created a modern approach to the forms creating repeatable geometric curves, which were applied first to create the Latin font. With a concept of open discussion through the religions, the next logical step for us was to develop those design rationals to Arabic lettering with the development of two harmonious fonts.
Kgothaletso: The font family has its origins from the Benedictine and Franciscan writing. Originally designed as a Latin typeface it was quickly seen that we needed to open a wider dialogue and expand the font to include an Arabic version, using the same rationale to the design. The strength of the parallel design process allows the two typeset languages to have balanced harmony and grace.
Nako ya Projeke: The Project started in 2017 and finish in September 2018, in Perugia Italy.
Tsamaiso ya Mosebetsi: Our underlying concept was to develop a font that could communicate harmoniously in Arabic and Latin that was constructed with shared geometry. When used in an Arabic text western words would be seamlessly intergraded in the text.
Litho tsa Sehlopha: Design direction: Paul Henry Robb
Latin Font: Paul Henry Robb
Arabic Font: Naser Imache - Paul Robb
Design Ass: Tommaso Calderini