Shany Abdallah Naji Primary Function: Mfululizo wa Sanaa ya Kigrafiki na Shany Dvora

Muundo Shany Abdallah Naji Primary Function: Mfululizo wa Sanaa ya Kigrafiki na Shany Dvora ni mshindi mashuhuri wa tuzo ya kifahari ya 2021 Tuzo ya Fedha ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Michoro, Picha na Mawasiliano ya Kuona.

FedhaMchoro· 2021

Shany Abdallah Naji Primary Function: Mfululizo wa Sanaa ya Kigrafiki

na Shany Dvora

Mshindi wa Tuzo ya Fedha ya A' Design Award katika Kategoria ya Mchoro

36,695

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #121320

Tembelea Tovuti Tazama kwenye A' Design Award Taarifa kwa Vyombo vya Habari Beji ya Tuzo

Rangi

Muundo

Kuhusu Shany Abdallah Naji Primary Function: Mfululizo wa Sanaa ya Kigrafiki

Shany Abdallah Naji ni mfululizo wa kazi za kigrafiki unaohuisha mila ya kutaja majina ya familia. Mila hii, ambayo ilikoma wakati familia ilipohama kutoka Iraq kwenda Israeli, ilimpa mtoto mchanga jina la kwanza likifuatiwa na majina ya baba na babu. Mfululizo huu uliundwa baada ya kupatikana kwa nyaraka za zamani za uhamiaji wa familia. Kazi tano za mchanganyiko wa vyombo vya sanaa, nne zenye ukubwa wa sentimita 50 kwa 70 na moja yenye ukubwa wa sentimita 75 kwa 70, zinasuka picha ndani ya hati za mapambo ya Kiebrania zilizochochewa na maandishi ya mkono ya Kiebrania kutoka Iraq, Yemen na Morocco yaliyotengenezwa kati ya karne ya 12 na 15.

Utambuzi

Kuhusu Tuzo ya Fedha ya A' Design Award

Shany Abdallah Naji Primary Function: Mfululizo wa Sanaa ya Kigrafiki ni mshindi wa Tuzo ya Fedha ya A' Design Award, utambuzi wenye heshima kubwa ya ajabu unaotolewa kwa miundo ya hali ya juu kabisa, ya kupendeza na ya kuvutia. Washindi wa Fedha ni kazi zinazong'aa mno na bunifu kupita kiasi zinazoonyesha utaalamu bora, kipaji na busara ya wabunifu wao. Shany Abdallah Naji Primary Function: Mfululizo wa Sanaa ya Kigrafiki inatarajiwa kuwa kazi nzuri ya kuigwa ambayo ni ya kitaalamu kwa kiasi kikubwa na yenye ubunifu wa kina. Muundo huu ulioshinda Tuzo ya Fedha ya A' Design Award ni uvumbuzi unaojulikana sana na kupendwa, unaonufaisha na kupanua mipaka ya sanaa, sayansi, usanifu na teknolojia. Shany Abdallah Naji Primary Function: Mfululizo wa Sanaa ya Kigrafiki ni kazi inayotamaniwa mno inayochochea hamu, huleta hisia chanya na huzua mshangao na mastaajabu.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee: Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Vipimo na Ufungashaji: 4 works 50*70 cm
1 work 75*70 cm
Lebo: Calligraphy, Typography, Hebrew, Eastern
Teknolojia ya Uzalishaji: Mixed Media
Changamoto ya Ubunifu: -
Utafiti: For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Msukumo: In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Muda wa Mradi: 2018-2019, Israel
Mtiririko wa Uendeshaji: -
Hataza: -
Wanatimu: -
Haki za Picha: Shany Dvora