Guanshan Utambulisho wa Chapa na Hong Jia Min

Muundo Guanshan Utambulisho wa Chapa na Hong Jia Min ni mshindi mashuhuri wa tuzo ya kifahari ya 2025 Tuzo ya Chuma ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Michoro, Picha na Mawasiliano ya Kuona.

ChumaMchoro· 2025

Guanshan Utambulisho wa Chapa

na Hong Jia Min

Mteja: Jijia Brand Creative Studio

Mshindi wa Tuzo ya Chuma ya A' Design Award katika Kategoria ya Mchoro

1,720

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #172951

Tazama kwenye A' Design Award Taarifa kwa Vyombo vya Habari Beji ya Tuzo

Rangi

Muundo

Kuhusu Guanshan Utambulisho wa Chapa

Guanshan ni utambulisho wa chapa ulioundwa kwa ajili ya duka la chai ya maziwa. Muundo huu unatumia herufi za Kichina kama msingi wake na kuboresha muundo wa maandishi ya kikale ya kikarani kwa mtindo wa kisasa huku ukidumisha roho yake ya kitamaduni. Ukiwa umejikita katika urembo wa vitu vya Mashariki, utambulisho huu unachanganya taswira za feni za wino na vyombo vya chai. Ishara kuu inaonyesha feni na kikombe cha chai katika muundo unaopishana, na kuunda ishara mbili kwa pamoja. Mistari ya wino inaashiria fremu ya mianzi ya feni ya kitamaduni ya duara, huku muundo wa kikombe ukichota mwelekeo wake kutoka kwa vikombe vya chai vya Jianzhan.

Utambuzi

Kuhusu Tuzo ya Chuma ya A' Design Award

Guanshan Utambulisho wa Chapa ni mshindi wa Tuzo ya Chuma ya A' Design Award, utambuzi wenye heshima unaotolewa kwa miundo mizuri inayokidhi mahitaji ya kitaalamu na ya kiviwanda yanayotarajiwa kutoka kwa kazi zilizobuniwa vizuri. Washindi wa Chuma huonyesha ustadi mkubwa, utaalamu wa hali ya juu, uelewa wa kitaalamu na uwezo wa kibunifu wa waumbaji wao. Guanshan Utambulisho wa Chapa inatarajiwa kuwa kazi inayothaminiwa sana, kupendwa na kuenziwa, ambayo ni ya vitendo na bunifu. Muundo huu ulioshinda Tuzo ya Chuma ya A' Design Award unajumuisha mbinu bora za tasnia na una sifa za kiufundi zenye uwezo zilizounganishwa na ujuzi na kipaji. Guanshan Utambulisho wa Chapa inaheshimiwa kwa uangalifu wake na imebuniwa kutoa maboresho ya ubora wa maisha yanayosaidia kuufanya ulimwengu kuwa mahali bora zaidi.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Vipimo na Ufungashaji: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Lebo: Oriental, Creativity, Tea , Ink Painting, Chinese
Teknolojia ya Uzalishaji: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Changamoto ya Ubunifu: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Utafiti: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Msukumo: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Muda wa Mradi: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Mtiririko wa Uendeshaji: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Hataza: Copyrights belong to Hong Jia Min, 2024.
Wanatimu: Hong Jia Min
Haki za Picha: Hong Jia Min