Urszula Giren tomonidan The Birth of a Book Kitob

Urszula Giren tomonidan yaratilgan The Birth of a Book Kitob — Bosma va Nashr Etilgan Media Dizayni tanlov toifasida nufuzli 2020 A' Design Award Oltin Mukofoti mukofotining yuqori baholangan g'olibidir.

OltinBosma· 2020

The Birth of a Book Kitob

muallif: Urszula Giren

Mijoz: Urszula Gireń

Bosma toifasida A' Design Award Oltin Mukofoti g'olibi

80,127

Tasdiqlangan mukofot g'olibi

#97144 uchun mukofot holatini tasdiqlash

Saytga tashrif A' Design Award saytida ko'rish Press-reliz Mukofot nishoni

Ranglar

Dizayn

The Birth of a Book Kitob haqida

"Kitobning tug'ilishi" — XVI asr Polshasidagi kitob dizayni haqidagi bosma nashr. Kitobda qadimiy bosma nusxalar haqiqiy o'lchamda taqdim etilgan bo'lib, o'quvchilar asl formatlarni ko'rishlari mumkin. Suvraqa (muqova ustidagi qog'oz g'ilof) qadimiy oktavo formati uchun ishlatilgan varaq joylashtirish (impozitsiya) usulini ko'rsatadi. Lentali xatcho'p folio, kvarto va oktavo kitoblarining balandliklarini belgilaydi. Titul varaqlaridagi yog'och o'ymakorlik naqshlari (ksilografiyalar) rang inversiyasida bosilgan bo'lib, qora siyoh bilan qoplangan matritsalarni eslatadi. Kitob formati 256 x 320 millimetr bo'lib, 560 sahifa va taxminan 1200 ta illyustratsiyadan iborat. Nashrning maqsadi — Uyg'onish davri bosma usullarini keng kitobxonlar ommasiga tushuntirishdir.

Tan olinish

A' Design Award Oltin Mukofoti haqida

The Birth of a Book Kitob A' Design Award Oltin Mukofotining g‘olibi bo‘lib, bu birinchi darajali, ajoyib va ajralib turuvchi dizaynlarga beriladigan o‘ta nufuzli e’tirofdir. Oltin g‘oliblari o‘z dizaynerlarining daholigi, donoligi va mahoratini aks ettiruvchi benihoya innovatsion, uzoqni ko‘ra oladigan va ko‘zni qamashtiruvchi ijodlardir. The Birth of a Book Kitob misli ko‘rilmagan qiymat keltiruvchi, juda maqtalgan, yo‘nalish belgilovchi va yodgorlik darajasidagi ixtiro bo‘lishi kutiladi. A' Design Award Oltin Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiya chegaralarini katta foyda bilan kengaytiruvchi ko‘zni qamashtiruvchi, e’zozlangan loyihadir. The Birth of a Book Kitob kuchli istak tuyg‘ularini yaratadi, ishtiyoqni uyg‘otadi, ijodkorlikni rag‘batlantiradi va bizni maftun etadi.

Dizayn ortida

Press-kit

Dizayner tomonidan taqdim etilgan kreditlar, jamoa a'zolari va texnik tafsilotlar.

Noyob xususiyatlar: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
O'lchamlar va qadoqlash: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Teglar: renaissance book, first roman typefaces, old prints, typography
Ishlab chiqarish texnologiyasi: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Dizayn muammosi: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Tadqiqot: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Ilhom: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Loyiha muddati: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Ish jarayoni: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Rasm mualliflari: Urszula Gireń / 2019