Sweeping concentric arcs of luminous white traverse the soaring ceiling of Yibin Yang's Mengtai Group Hardtech Pavilion, establishing an immediate cosmic geometry that transforms architectural volume

Yibin Yang's Hardtech Pavilion commands the visual field through a masterfully orchestrated fusion of sculptural luminosity and architectural precision, establishing its central focal point through a

Yibin Yang's Hardtech Pavilion commands the visual field through a dramatic interplay of deep shadow and precisely calibrated accent illumination, establishing a low-key tonal structure that immediate

Yibin Yang's Hardtech Pavilion establishes a commanding sculptural presence through the prominent integration of a monumental spherical armature occupying the central compositional axis, this metallic

Yibin Yang's Hardtech Pavilion establishes its commanding spatial presence through a masterful deployment of bilateral symmetry anchored along a central vertical axis, with the composition organized a

Silver Interior Space and Exhibition Design · 2026

Mengtai Group Hardtech Pavilion

by Yibin Yang

A' Design Award 2026 Silver Winner in Interior Space and Exhibition Design
Awarded April 15, 2026
CLIENT: Juji Culture (Beijing) Co., Ltd.
Estimated Number of Design Views: 20,020
Verification code 8A57E521C0 · Verify this award

View at A' Design Award

Get a Badge

About Mengtai Group Hardtech Pavilion

Mengtai Group Hard Technology Pavilion is a corporate exhibition interior located in Ordos, Inner Mongolia. The pavilion covers about 4,500 square meters and includes a showroom, public artworks and outdoor sculptural installations. Display boards and scaled models are replaced by a spatial language drawn from industrial production lines. Walls are assembled from aluminum panels, and the floor uses anodized, custom shaped aluminum elements with seams controlled within 0.2 millimeters. A naked eye 3D system and a 22 meter long CAVE theater guide visitors through a cyclical narrative.

Within the evolving discourse of contemporary exhibition architecture, this pavilion interior represents a particularly accomplished synthesis of spatial dramaturgy and corporate narrative, where celestial metaphor becomes the organizing principle for visitor experience. The designer demonstrates sophisticated understanding of how architectural volume can communicate brand identity through environmental immersion rather than explicit signage, employing the universal language of cosmic imagery to suggest expansive vision and technological aspiration. The concentric ceiling treatment, with its embedded points of light simulating stellar fields against sweeping orbital paths, transforms utilitarian overhead plane into experiential canopy that establishes immediate atmospheric context. Technical accomplishment manifests in the seamless integration of multiple lighting systems—the fiber-optic constellations, linear LED bands, spherical pendant fixtures, and the self-luminous digital display—each calibrated to contribute to overall luminous composition without competing for attention. The armillary sphere sculpture functions as both wayfinding device and symbolic condensation of the pavilion's thematic content, its traditional astronomical instrument form updated through contemporary material expression while maintaining iconographic legibility as emblem of celestial observation and cosmic understanding. Chromatic restraint in the architectural envelope allows the vibrant nebular imagery of the central display to achieve maximum visual impact, a curatorial decision that demonstrates understanding of how focal hierarchy operates in large-scale spatial composition. The mirror-quality floor surfaces participate actively in the spatial experience, their reflections extending perceived volume while contributing ethereal qualities that complement the celestial ceiling treatment. Visitors encountering this space might contemplate how architectural design can render abstract concepts of innovation and exploration tangible through the thoughtful orchestration of light, material, and form.

Press Kit

Unique Properties: Situated in the expansive landscapes of Ordos, Inner Mongolia, the Mengtai Group Hard Technology Pavilion presents a fresh spatial narrative that includes a new corporate showroom, upgraded public artworks, and a series of outdoor sculptural installations. The design seeks to inspire a comprehensive and profound exploration of the origins of science, its spirit, belief system, dreams, ways of understanding, methodologies, perspectives, wisdom, philosophy, and its enduring mission
Dimensions & Packaging: The project covers an area of approximately 4,500 square meters
Tags: Exhibition, Hard Technology, Science Fiction, Mechanical Style
Production Technology: The Mengtai Group Hard Technology Pavilion places strong emphasis on the relationship between structure and form, embracing a mechanical and industrial aesthetic. Through precise structural design and meticulous detailing, combined with a variety of machining techniques, the pavilion showcases the authentic appeal of hard tech.
Design Challenge: The interior of the exhibition space avoids the conventional use of display boards and scaled models, instead translating the precision of industrial production lines into a spatial language. The walls are assembled entirely from aluminum panels; the floor is laid with anodized, custom shaped aluminum elements, with each seam controlled to within 0.2 millimeters.
Project Duration: This project is located in Ordos City, Inner Mongolia Autonomous Region, and the entire project design was completed on April 1, 2025.
Operation Flow: When it comes to materials, the Mengtai Group Hard Technology Pavilion takes a daring approach, pushing the limits of materials, craftsmanship, and procedures by integrating multiple advanced metal materials and processes that break from traditional construction methods. The naked eye 3D system delivers realistic, floating images in mid air with a strong sense of depth, presenting clear and vivid visuals that remain unaffected by bright light sources, truly achieving the magical effect of seeing without touching. Meanwhile, the 22 meter long CAVE theater takes immersion to the extreme.
Research: The design translates the philosophy, while science fiction writers build worldviews with words, designers should trigger cognitive revolutions through space, and If writers strike with dimensional reduction, then designers must elevate thought through spatial dimensions into concrete practice. Applying topological thinking to reconstruct the company’s history, the project embeds the concept of the Klein bottle’s cyclicality within the CAVE theater. The solution maximally embodies the core philosophy,of Mengtai Group,to make finite resources infinite, and to make infinite undertakings green.
Inspiration: Departing from the standard formula of corporate pavilions, poster boards + models + screens, the Mengtai Group Hard Technology Pavilion reimagines exhibition storytelling with a bold deconstruction of form. All content is distilled into the main lobby of the Technology Building, where a new narrative unfolds: from the present to the past, into the future, and ultimately back to the now offering a cyclical, immersive journey through time and innovation.