Chang An Temple IHolo Yokukhanyiselwa KwamaBhuda ngu-PCC Design - Swe WingChew and Kong MeeChew

Uyilo olubizwa ngokuba yi-Chang An Temple IHolo Yokukhanyiselwa KwamaBhuda olwenziwe ngu-PCC Design - Swe WingChew and Kong MeeChew ngumwini obekekileyo webhaso elinobukhazikhazi le-2021 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweZakhiwo, Isakhiwo kunye neMilo.

IsilivereUyilo lweZakhiwo· 2021

Chang An Temple IHolo Yokukhanyiselwa KwamaBhuda

ngu PCC Design - Swe WingChew and Kong MeeChew

Umxhasi: PCC Sdn. Bhd

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Uyilo lweZakhiwo

20,868

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#106505

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Chang An Temple IHolo Yokukhanyiselwa KwamaBhuda

Uyilo lwetempile lusekelwe kumcabango wolwakhiwo lwamandulo lwaseMpuma kwaye luhlanganiswe neento zolwakhiwo zanamhlanje. Ngaphezu koko, ukwahluka kwetempile engundoqo, ulwakhiwo lwendalo ludalwe ngegadi yeZen ene-gazebo ebomvu enzulu yaseJapan kunye namatye aqingqiweyo anemibongo yamaBhuda ebhalwe ngobuchule. Ngoko ke, kuvuselele umbono wokudibanisa ixesha lanamhlanje kunye nobuhle bamandulo baseMpuma.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Chang An Temple IHolo Yokukhanyiselwa KwamaBhuda ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Chang An Temple IHolo Yokukhanyiselwa KwamaBhuda iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Chang An Temple IHolo Yokukhanyiselwa KwamaBhuda yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The exterior design of the temple illustrates the richness of elements and characteristics of ancient oriental architecture.
Approximately one-third of the site was intentionally allocated for the vastly Zen garden's landscape, to lure the eyes with beautiful nature as a luxury and great sense of welcoming entrance. The frontage manmade lake was complemented with an outdoor gallery of Chinese calligraphy and Buddhism statue stones carving along the pedestrian path circling to evoke the scene of the modern era emerging with ancient oriental characteristics.
Imilinganiselo nePakishini: The project is with a building scale of 20,440 Square meter and an Land area of 39,254.50 Square meter
Iithegi: Oriental Architecture, Temple, Enlightenment Hall, Buddhism, Calligraphy, Nature
Ubuchwepheshe Bokuvelisa: The site is situated in Malaysia, a hot-humid tropic country with high precipitation all over the year.
The construction structure is dominantly a reinforced concrete and masonry wall- sustainable and suitable for the hot tropic climate and minimal seismic zone.
Pitch roof and clay tiles are the most sustainable roof type to address the hot-humid and heavy rainfall.
The reflective pond surrounding the temple building footprint is another sustainable tool that acts as an air inter-cooler system, to reduce external air temperature before entering into the building and to reduce the dependency on the air-conditioner.
Umngeni Woyilo: The challenging part of the building is the conversion of technology. The ancient oriental architecture is created through timber building structure, whereas the timber structure is not capable of to current era. Hence, the conversion of ancient timber structure into a concrete structure without losing any aesthetic feeling and actual proportion of ancient oriental architecture is our main challenges
Uphando: Chinese calligraphy and Buddhism statue stones carving are essential in traditional Chinese architecture. They hold a high philosophical and historic value.

Those stones are introduced into the Zen garden landscapes as an outdoor gallery along the pedestrian path circling the lake - to complement the atmosphere towards the sense of oriental and its origin.

The interior design of the enlightenment hall is decorated with many of those stones at the columns, walls, and ceilings - to enrich the spiritual moods and to complement the purpose. In other words, it recreates a modern version of Mogao Cave temple in Dun Huang, China.
Inkuthazo: The inspiration for this theme of the design is through the Tang, Song, and Ming Dynasty architecture - emphasizing the traditional elements of details such a roof, screens, and sculptures into the modern touch to create a progressing architecture, Neo Oriental.
Traditional lanterns are significant ornaments in Chinese tradition that were being translated into the façade design as a Chinese screen with frosted glass backlight effects – to create a neo-oriental illuminated by the modern vibe.
Ubude Beprojekthi: The project expected started in October 2020 Selangor, Malaysia and will finish in year 2022
Ukuhamba Komsebenzi: Besides the usage for Main Temple Hall, the building also takes the experience of visitors in the outdoor Buddhist calligraphy garden into account. The project is set up according to various functions, including a prayer hall, indoor and outdoor Buddhist cultural caligraphis museum, meditation, etc.
Amalungu Eqela: Creative director: SW Chew, KM Chew
Design Assistant:Nor Azmi Bin Nor Saidon, Mohamad Hisamudin
Amagunya Emifanekiso: All image credited by PCC Design Sdn. Bhd