Uyilo olubizwa ngokuba yi-Sertao Itafile ecaleni olwenziwe ngu-Gabriela Campos ngumwini obekekileyo webhaso elinobukhazikhazi le-2023 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweFanitshala.
IbhronziIfanitshala· 2023
Sertao Itafile ecaleni
ngu Gabriela Campos
Umxhasi: Mais Alma Arquitetura and Design
Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ifanitshala
Umwini Webhaso Oqinisekisiweyo
Qinisekisa Isimo Sebhaso se-#142081Uyilo
Malunga ne-Sertao Itafile ecaleni
Sertao yitafile ecaleni ephenjelelwe ngumzobo iAbaporu, owenziwa ngo-1928 nguTarsila do Amaral, ophawu lwe-modernism eBrazil. Ubume obungqukuva bulandela imigca egeleza kwaye eyenzekayo ngokwendalo ephinda icacisa intshukumo kunye nomoya wokudlala womzobo. Imibala ethambileyo kwaye ekhanyayo iyagqibezela lo mzobo. Itafile inesakhiwo se-MDF esine-lacquer paint kunye nomgangatho we-oki yaseMelika. Ilinganiselwa kububanzi be-45 cm, ubunzulu be-30 cm kunye nobude obuyi-50 cm. Isiqwenga ngasinye senziwa ngezandla ngabaqambi bendawo baseCruzilia, Minas Gerais, eBrazil.
Ukuqatshelwa
Malunga ne-Ibhaso Lebhronzi le-A' Design Award
Sertao Itafile ecaleni ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Sertao Itafile ecaleni iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Sertao Itafile ecaleni iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.
Emva Koyilo
Ikhithi Yeendaba
Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.
- Iimpawu Ezizodwa
- This is a piece with a challenging design with a strong symbolism supporting it. With a narrative behind its organic forms, alludes to several elements contained in the work of Tarsila. Regarding the colors in the composition, the choice was to bring the soft and at the same time vivid tones of the work. As for the shape, the intention was to recreate the movement with fluid and organic lines, a challenge to the eye of the sense of balance, proportion and with a playful soul. A graceful balance between form and function.
- Imilinganiselo nePakishini
- Dimensions Width 45 cm 17,7 in / Depth 30 cm 11,80 in / Height 50 cm 19,70 in
- Iithegi
- table, side table, modernism, Brazilian furniture, Brazilian Design
- Ubuchwepheshe Bokuvelisa
- Fully handcrafted in the city of Cruzilia, Minas Gerais, this sidetable is produced by local artisans. The piece has an mdf structure with lacquer paint and American oak finish.
- Umngeni Woyilo
- The challenge was in the study of shapes and specially the stability of the table, so that I could achieve a viable piece, economically and in terms of execution and, at the same time, that brought the lightness and organic shapes I was looking for.
- Uphando
- Being influenced by the modernist atmosphere around the world of Tarsila, the goal was to create a design that has this soul. The production was a process of evolving from sketches, technical drawings, and the real scale modeling. The execution was carried out in full-scale prototype.
- Inkuthazo
- The rounded shaped side table is a hommage of the work Abaporu (1928), by Tarsila do Amaral, a great symbol of modernism in Brazil. The artist spent a lot of time studying in France, going through ateliers like Fernand Leger's, and returns to Brazil bringing this background to create her unmistakable signature. Abaporu, with its vivid colors and rounded shapes, is speculated to be the most valued Brazilian work in the world. The inspiration came from trying to develop a work of reinterpreting Abaporu and reproducing it in my world of design, keeping its essence and its message.
- Ubude Beprojekthi
- The project started in March 2022 and finished in May 2022, in Rio de Janeiro.
- Ukuhamba Komsebenzi
- Having a refined design, the piece brings a graceful balance between form and function. It is a unique side table that catches the eye of the public, being both an organic and clean, yet a statement piece.
- Amagunya Emifanekiso
- Photographer: MCA Estúdio
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