Dimension in the Shadows Kàlẹ́ńdà Orí Tábìlì láti ọwọ́ Emi Kawasaki and Daisuke Kodama jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán, Àpèjúwe àti Ìbánisọ̀rọ̀ Ojú-Ìwòran.
Pílátínọ́mùÀwòrán· 2021
Dimension in the Shadows Kàlẹ́ńdà Orí Tábìlì
látọ̀wọ́ Emi Kawasaki and Daisuke Kodama
Oníbàárà: Shilushi Inc.
Aṣẹ́gun Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Àwòrán
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #107048Àpẹrẹ Náà
Nípa Dimension in the Shadows Kàlẹ́ńdà Orí Tábìlì
Dimension in the Shadows jẹ́ kàlẹ́ńdà orí tábìlì tí a ṣe láti inú páálí dúdú tí a fi ìtànṣán lesa gé. Àkójọpọ̀ náà ní káàdì oṣù méjìlá nínú, ọ̀kọ̀ọ̀kan wọn sì ní àwòrán tó yàtọ̀. A gbé káàdì kọ̀ọ̀kan sínú ihò kékeré tó wà lára kúbù igi kékeré kan. A gé àwọn déètì fún ọjọ́ Sátidé, ọjọ́ Sọ́ndè àti àwọn ọjọ́ ìsinmi orílẹ̀-èdè já pátápátá, nígbà tí a gé àwọn ọjọ́ iṣẹ́ ní ìdajì. Àwòrán abstract kọ̀ọ̀kan ń rán wa létí ìran kan nínú àyípadà àwọn àkókò ọdún ní ilẹ̀ Japan. Nígbà tí a bá wò ó lọ́dọ̀ ìmọ́lẹ̀, ìlà ẹ̀gbẹ́ rẹ̀ tó mú dàbí ère bébà. Òjìji tí ó ń dà sílẹ̀ máa ń yí ìrísí padà bí ìmọ́lẹ̀ ṣe ń lọ, èyí sì ń fi ìfẹ́ inú pẹ̀lẹ́ kún ìgbésí ayé ojoojúmọ́.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award
Dimension in the Shadows Kàlẹ́ńdà Orí Tábìlì jẹ́ olùborí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó jẹ́ àrà ọ̀tọ̀ nítòótọ́, tó dára tó sì lọ́lá. Àwọn olùborí Pílátínọ́mù jẹ́ ìyanu ẹ̀dá, ẹ̀rí ààlà ìmọ̀ ẹ̀dá ọgbọ́n orí, wọ́n sì ń fi ìjáfáfá àti ọgbọ́n àìlẹ́gbẹ́ àwọn olùṣàwòṣe wọn hàn. A retí pé àwọn àwòṣe wọ̀nyí yóò jẹ́ àwọn iṣẹ́ tó lókìkí jùlọ tó ń ṣàlàyé ẹwà àkókò, tó ń ṣe àfikún sí ìlera àwùjọ tí wọ́n sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Dimension in the Shadows Kàlẹ́ńdà Orí Tábìlì ń fi ìpele ìjáfáfá tó kọjá ààlà hàn, ó sì ń sọ ayé di ibi tó dára jù láìsí iyèméjì nípasẹ̀ àwọn ànímọ́ rẹ̀ tó ṣàǹfààní tó sì ṣeyebíye. Dimension in the Shadows Kàlẹ́ńdà Orí Tábìlì jẹ́ iṣẹ́ tó borí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award tó ń jí ìfẹ́ inú, tó ń fún ní ìmísí, tó ń mú láyọ̀ tó sì ń bí ayọ̀ ńlá.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Black paperboard is carried out fine laser cut, come out 12 pieces of differently designed monthly calendar cards, mounted each one in a slit of wooden cube. Each figures may causes optical illusion as 3-dimensional. It is worthy for observation as a kind of sculpture, perceive a sharp outline attractively at back light. In every moment, the casted shadow forms different shape from the paper itself according to the light come in, add a little entertainment in everyday scene respectively.
- Ìwọ̀n àti Àpò
- Package dimensions: W146mm x D146mm x H36mm
Calendar cards within 135mm square
Wood stand: 25mm cube. (Slit angle: 80 degrees, Depth: 20mm) - Àwọn Àkọlé
- calendar, desk calendar, laser cut, light and shadow, dimension, black paper, 3D, silhouette, optical illusion, japan
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- To know and consider the durability of paper and representability by laser cut process, experimental testing was repeated. Using 2 power level of laser, being cut out dates mean Saturday, Sunday and national holiday, other ones of half cutting mean weekdays. It was made fine adjustment to entire balancing with standing posture that depend on the relation between depth and angle of slit when each calendar is inserted in wood cube.
- Ìpèníjà Àpèsè
- At the first plan, we had aimed to carry out different effect on the card. It's a technique that scrape some parts extremely thinner by laser cut, so that light could be seen through. This was quite unique approach because it would be appear some places of light "come through" and "see
through" mixing on a same paper. But it was required superfine point laser irradiation repeatedly, it causes burnt paper and takes huge amount of time, accordingly, increasing in manufacturing cost. So we changed plan and design as use half cutting for dates number, redesigning by thin line for some parts, those were the realizable plan without load of production speed. - Ìmísí
- It is inspired by light and shadow in daily life, which is existing as a matter of course in every era, in every world and in every season. Each abstract object represents a scene and a moment in changing seasons in Japan. An appearance of black Silhouette combines subtlety and boldness, it casts constantly varying shadow like a sundial. Regardless of age or nationality, those abstract figure call forth variety of personal impressions, and inspire each one to expand individual imagination freely.
- Àkókò Iṣẹ́ Àkànṣe
- Their originative calendars has been gifted to their clients and business partner on every beginning of the year since the company established 2015. It is not only the tool for expressing gratitude, but also for calling to mind the pure delight and enjoyment of design that has their potential for creativity.
- Ìlànà Ìṣiṣẹ́
- Monthly calendar cards are inserted in a slit of wooden cube. At the place receive sun shine or light that let it make shadow, they show and entertain us slow transforming of light and shadow. It is also as a part of the interior object, people will have enjoyment of replacing each calendar card month by month.
- Àwọn Ọmọ Ẹgbẹ́
- Art Director & Graphic Designer: Emi Kawasaki
Coordinator: Daisuke Kodama
Print & Processing manufacturer: Shinohara Printing - Ìfọwọ́sí Àwòrán
- All image: Photographer Naohiro Isshiki
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