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Blind Ilé láti ọwọ́ Boonlert Hemvijitraphan

Blind Ilé láti ọwọ́ Boonlert Hemvijitraphan jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.


WúràÌkọ́lé· 2021

Blind Ilé

látọ̀wọ́ Boonlert Hemvijitraphan

Oníbàárà: Boondesign

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìkọ́lé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #122851

Àwọ̀

Àpẹrẹ Náà

Nípa Blind Ilé

Blind jẹ́ ilé àdáni kan ní Bangkok, Thailand, tí a ṣe àgbékalẹ̀ rẹ̀ gẹ́gẹ́ bí ibi ìsádi pípẹ̀lẹ́ fún gbígbé àti fún ìṣe àṣàrò. Ilẹ̀ ìsàlẹ̀ tí a fi gíláàsì ṣe ní àgbègbè ìgbé ayé àti ibi ìjẹun tí ó ṣí sílẹ̀ láàrin adágún omi tí ó ń tan ìmọ́lẹ̀ àti òkè kékeré tí a gbẹ́ lọ́nà iṣẹ́ ọnà. Òkè náà, tí a rí ìmísí rẹ̀ láti ara origami, bo gareji tí ó wà nísàlẹ̀ ilẹ̀ àti ojúbọ kan. Pẹ̀tẹ́lẹ̀ kọnkéré gígùn kan gbé lé orí ìhà iwájú ilé tí ó ṣe kedere, nítorí náà ilẹ̀ òkè dà bí ẹni pé ó léfòó lókè ilẹ̀ àyíká. Apá òkè ni a fi àwọ̀n irin ṣe lára rẹ̀ tí ó pèsè ìbòmọ́lẹ̀ tí ó sì ń ṣàyẹ̀wò ìmọ́lẹ̀ oòrùn sínú àwọn yàrá ìsùn méjì náà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Blind Ilé jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Blind Ilé yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Blind Ilé ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The urban sanctuary in the middle of Bangkok features a glazed ground floor enclosing the main living areas. An origami-inspired sculptural hill makes room for a sunken garage and shrine while its row of hedges conceals the upper level from view. Resting on the transparent facade, a concrete plane supporting the second story creates the illusions of a mass floating above the landscape. The upper level is clad in a rusted metal lattice to offer privacy but still filters in sunlight
Ìwọ̀n àti Àpò
Area: 350 Sq.m.
Àwọn Àkọlé
Architecture, Landscape, Private residence, Rusted steel, Concrete wall, Reflective pond, Origami hill
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Platina steel, Tempered glass door and window with customized aluminium frame, Laminated wood panel, concealed motorised mosquito net, granite stone, Platina steel lattice
Ìpèníjà Àpèsè
To levitate the 31meters long concrete slab, glazed façade is applied on the ground floor. In similar fashion with modern architecture, the lean steel column was placed behind a continuous strip of glass, as well as, the turn up beam, which strengthened the concrete slab, is setting back from edges creating an illusion of floating concrete plane from all views. To complete the sense of hovering, The slab protrudes out of the steel column over 13 meters. With the help of the concrete tunnel bearing wall, this notion of floating is achievable.
The contour of Origami hill was created according to the car shape in order to function as a carport on the other side, in other words, the absent matter (the carport) defines what is presence (the hill). The hill structure is very challenging for the engineer. The structure needs to withstand the carport span while carrying sufficient soil for the lawn.
Ìwádìí
The Blind house was built to be a sanctuary for the owner to live and practice meditation. The house is required to perform a simple function such as open plan dining-living , two- bedrooms, and space for meditation. The challenge was the seamless experience of space; The presence of architecture articulates the space or its absence to bring the notion of the absent matter.
Ìmísí
The urban sanctuary in the middle of Bangkok features a glazed ground floor enclosing the main living areas. An origami-inspired sculptural hill makes room for a sunken garage and shrine while its row of hedges conceals the upper level from view. Resting on the transparent facade, a concrete plane supporting the second story creates the illusions of a mass floating above the landscape. The upper level is clad in a platina metal lattice to offer a sense of privacy but still filters in the sunlight. With an interior that is sleek, minimal, and lined in natural materials, the dwelling creates a relaxing space for Zen living and practicing meditation in the city.
Àkókò Iṣẹ́ Àkànṣe
Project Completed: 2013
Location: Bangkok, Thailand
Ìlànà Ìṣiṣẹ́
Enter the Arrival court, an empty space paved with cobblestone, which leads to the porch. The open plan living area on ground level, sits between a reflective pond on one side and a hill on the other. Walk up to the second floor into the bedroom, the sense of bright and open is replaced by a dimness of a platina steel lattice. Out by the side door of the bedroom, onto a concrete roof slab, where the walking meditation path begins and continues through the hill back to the ground floor.
Àwọn Ọmọ Ẹgbẹ́
Boondesign Team
Ìfọwọ́sí Àwòrán
Image#1:Photographer Wison Tungthunya, WWorkspace, 2013.
Image#2:Photographer Wison Tungthunya, WWorkspace, 2013.
Image#3:Photographer Wison Tungthunya, WWorkspace, 2013.
Image#4:Photographer Wison Tungthunya, WWorkspace, 2013.
Image#5:Photographer Wison Tungthunya, WWorkspace, 2013.

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