Fondazione Bertarelli Gbọ̀ngàn Eré Orin láti ọwọ́ Edoardo Milesi - Archos srl jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
WúràÌkọ́lé· 2021
Fondazione Bertarelli Gbọ̀ngàn Eré Orin
látọ̀wọ́ Edoardo Milesi - Archos srl
Oníbàárà: Edoardo Milesi - Archos srl
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #122855Àpẹrẹ Náà
Nípa Fondazione Bertarelli Gbọ̀ngàn Eré Orin
Forum Fondazione Bertarelli jẹ́ gbọ̀ngàn eré orin fún ènìyàn 350 ní ẹ̀gbẹ́ Òkè Amiata ní Maremma ti Tuscany, ní ilẹ̀ Ítálì. Gbọ̀ngàn náà ní ìrísí adánidá tí a gbé karí ìwọ̀n wúrà (golden proportions), nítorí náà ìrísí rẹ̀ àti àwọn ohun èlò adánidá ni ó ń mú kí ohùn gbóhùn sókè dípò àwọn ẹ̀rọ ìmọ̀-ẹ̀rọ. Ìpìlẹ̀ ìkọ́lé àkọ́kọ́ jẹ́ kọnkírítì alágbára aláwọ̀, tí a fi àwọn ohun èlò ìdáàbòbò ooru àti bíríkì bò ó, nígbà tí àwọn àwo irin oníkẹ̀kẹ́ tí ó ti fẹ́rẹ̀ẹ́ pọ́n ń darí àwọn àlejò lọ sí ọ̀nà àbáwọlé. Ilé náà dúró láàrin oko igi ólífì, ó sì rọ́pò ètò àkọ́kọ́ fún àwọn ilé ìbùgbé mẹ́sàn-án ní ibi kan náà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
Fondazione Bertarelli Gbọ̀ngàn Eré Orin jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Fondazione Bertarelli Gbọ̀ngàn Eré Orin yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Fondazione Bertarelli Gbọ̀ngàn Eré Orin ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The building, which will be built up from nothing, will be given an organic and perfect form by using golden proportions suitable for improving the acoustics, in order to avoid it from being too rigid, which would not make it fit in the environment created by the light and the patterns created by the wind.
- Ìwọ̀n àti Àpò
- The main structure consisting of an underground part at a height of - 4.68 meters with a square and plant roof where the changing rooms and services are located;
the ovoid-shaped part of the central theatre from a height of - 4.68 to a height of 0.00 with the relative terraces, the stage and backstage, the side stairways, the entrance and, on the upper floor, height + 2.70, the director's mezzanine. The roof structure, up to an altitude of + 5.60 above ground.
The Forum has an overall volume of 7,813.34 cubic meters. - Àwọn Àkọlé
- Forum Bertarelli, Bertarelli Concert Hall, Edoardo Milesi, Studio Archos
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- A single building consisting of two parts forming a single shape generated by a geometry inspired by the golden section: theatre and multipurpose hall. The main structure is coloured reinforced concrete, soundproofed, insulated and covered with insulating materials and bricks; gypsum plaster; flooring partly in parquet for the theatre, partly in Gress for the logistic parts and partly in industrial concrete for the technical parts; aluminum windows with thermal break, wooden communication doors and partitioning doors. The roof structure it is made of steel with double lens reticular beams; wooden roof structure and relative metal mantle; the wooden false ceiling. Foyer and distribution spaces located on the ground floor level consists of a CORTEN-type steel structure, with spaced portals. It has a roof with a wooden structure and a soundproofed and insulated metal mantle; internal plasterboard false ceiling; perimeter infill (service area only) in plastered brick; steel frames to protect the structures. The noble stone floors, both in the foyer area and in the cloakroom, toilet and office area. External areas: a blade consisting of a CORTEN steel metal structure guides the population from the approach area to the foyer area; the floors provided are in stone, a covered area with glazing outside the foyer is the refreshment area and stone and quarry stabilised paths will connect the theatre / foyer area to the parking area, suitably illuminated and still in the executive design phase.
- Ìpèníjà Àpèsè
- This is the task of the theatre designed for the Bertarelli Foundation on top of a hill in the Maremma. A concert hall for 350 people. From the sky it looks like a large olive still attached to its nearest leaf. I had never thought of such a result, although the concern of not harming the large olive grove that will host it has always been present.
- Ìwádìí
- The Forum Fondazione Bertarelli originates from a thorough study of the settlement models in the inland of the Maremma plains. This 300-seat concert hall has an organic shape, perfectly self-contained and within the golden ratio, whose proportions were designed for non-mechanical acoustic amplification. From a distance as well as from close range, the Forum is not perceived as a building. Being free of openings, its rugged concrete surface with the earth tones of cement is reminiscent of a mound and fortified by wavy oxidised iron plate, which it partially envelops. Going uphill through an olive grove along the iron wall supporting the volume of the hall, we enter the foyer, one dematerialised space flooded by light where the outside landscape is again visible through a glass wall. The music hall can be seen with a single glance from above with the unique surface of the drum-shaped element on which rests the curved wings of the roof that laterally embrace the galleries and conceal the links to the various levels. From the sky, it looks like a big olive still attached to a leaf. The building is in the right position with respect to the views, the height of the pines, and the correct structural attitude on the current ground level, which should not be changed at all. The rain was pouring down and I attended a different concert. The orchestra didn't care about me when I got in the way among the musicians.
The curved iron plate next to the theatre on the sunset side, reminiscent of those used by Richard Serra, leads visitors inside and gradually takes them away from the outside sights, sounds and smells. It marks the limits of the olive grove that stretches to the large pines and it supports the slender iron plate structure, which, like a harp, lets visitors in to the concert. - Ìmísí
- The architecture of the concert hall, shaped according to its rational and poetic function, the task of letting instruments play, and the desire to convey emotions, listens and participates without disturbing; it is part of the orchestra and plays its role as a new musical instrument which improves the acoustics of the place. Aesthetic values are not perceived as added, they are part of the building and radiate from it.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in June 2010 in Bergamo and finished in June 2013. The construction works have begun in June 2013 and finished in November 2014 in Poggi del Sasso, Grosseto, Italy
- Ìlànà Ìṣiṣẹ́
- A concert hall for 350 people, where amplification takes place exclusively thanks to the shape generated by golden proportions and natural materials. Surrounded only by nature on the slopes of Mount Amiata, it providentially replaces a subdivision plan which, in that very place, provided for a complex of nine residential buildings inspired, according to an unfortunately widespread practice, by mimicry and falsification of traditional buildings.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Copyrights belong to Edoardo Milesi & Archos, 2015
- Àwọn Ọmọ Ẹgbẹ́
- Architect: Edoardo Milesi & Archos
Engineer: Marco Verdina (structures)
Engineer: Alessandro Nani (plants) - Ìfọwọ́sí Àwòrán
- Image #1, Photographer Mauro Davoli, 2015
Image #2, Photographer Mauro Davoli, 2015
Image #3, Photographer Mauro Davoli, 2015
Image #4, Photographer Mauro Davoli, 2015
Image #5, Photographer Mauro Davoli, 2015
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