Fruitfulness Iṣẹ Pataki: Ohun Elo Imọlẹ Ti a Fi Sori Ilẹ láti ọwọ́ Hide Lin

Fruitfulness Iṣẹ Pataki: Ohun Elo Imọlẹ Ti a Fi Sori Ilẹ láti ọwọ́ Hide Lin jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ìmọ́lẹ̀ àti Ẹ̀rọ Ìtànṣán.

IrinÌmọ́lẹ̀· 2022

Fruitfulness Iṣẹ Pataki: Ohun Elo Imọlẹ Ti a Fi Sori Ilẹ

látọ̀wọ́ Hide Lin

Oníbàárà: doT & associates

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìmọ́lẹ̀

12,053

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #126598

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Fruitfulness Iṣẹ Pataki: Ohun Elo Imọlẹ Ti a Fi Sori Ilẹ

Ọrọ Iwe: Ọ̀pọ̀lọpọ̀ Èso jẹ́ ohun èlò ìmọ́lẹ̀ tí a ṣe fún àjọyọ̀ àtùpà kan ní Taichung, Taiwan. Ìlà pàtàkì jẹ́ férémù tí a kó jọ ní ìrísí pápá, tí a kọ́ láti orí àwọn òpó igi willow cedar tí ó le. Àwọn ìdìpọ̀ àtùpà méje tí ó dà bí èso ni a ṣe láti inú àwọn ẹ̀wẹ́ willow cedar tín-ínrín, tí a fi ọwọ́ tẹ̀. Ìpìlẹ̀ rẹ̀ jẹ́ àwokòtò omi kékeré onígun mẹ́rin tí a fi àwọn òkúta wẹ̀wẹ́ dúdú bò, tí omi náà sì ń fi hàn ìrísí tí ó tàn sí òkè rẹ̀. Àwọn ìsopọ̀ ìbílẹ̀ tongue-and-groove àti àwọn irin tí ó lè fọwọ́ so pọ̀ ni a lò dípò àlọ. Iṣẹ́ náà lè yapa pátápátá kí ó sì padà sí ilẹ̀ lẹ́yìn ìfihàn náà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Fruitfulness Iṣẹ Pataki: Ohun Elo Imọlẹ Ti a Fi Sori Ilẹ jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Fruitfulness Iṣẹ Pataki: Ohun Elo Imọlẹ Ti a Fi Sori Ilẹ yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Fruitfulness Iṣẹ Pataki: Ohun Elo Imọlẹ Ti a Fi Sori Ilẹ nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: 2020 Taiwan Lantern Festival in Taichung. A group of architects, curators, and artists read the pulse of mountains to forests with the creators own life experiences; with the collaboration of curatorial teams and residents from Taiwan and Japan, they experimented with the possibility of natural ecological materials with native wood materials, and at the same time combined with agricultural regeneration to propose another kind of landscape aesthetics New Taiwan Lantern.
Ìwọ̀n àti Àpò: 25 square meters size.
Àwọn Àkọlé: lantern, recyclable, light installation, wood, tongue and groove, structure design
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The statue is made of a field-shaped stacked frame made of solid willow cedar jambs as the main structure, hung with seven light and fruit lamp clusters made of thinly sliced and bent willow cedar. The base is made of a square shallow water tray covered with black pebbles and covered with black pebbles on a square shallow water tray. Fruitfulness appears to be a large tree of sturdy statues, and the reflection of the water tray reflects the good harvest of the fields.
Ìpèníjà Àpèsè: It is difficult to analyse the structural mechanics of the various components, and we have used digital design tools to simulate and scale the prototypes to overcome the challenges of three-dimensional construction. We have also achieved excellent results with the help of our traditional staff who are well versed in the art of large wood construction.
Ìwádìí: With an interest in sustainable construction, we wanted to redefine the lantern festival as an art installation but not a disposable piece of junk.
Drawing on traditional timber construction methods of mortise-and-tenon joints and snap-in hardware, the project is an attempt to create a disassembled installation that is both structurally sound and aesthetically pleasing.
The research process requires an understanding of the properties of wood construction and raw wood materials, and the ability to create new applications within them.
Ìmísí: Fruitfulness, willow fir is used as a material to create a reversal of the landscape, and the work can be completely returned to the soil after the exhibition.
This work is a poem of the people of a mountain settlement, listening to the voice of the land and nature, and combining the wisdom of farming: a good cycle between the settlement, the land, and the hydrology, where the fields are aligned with each other, and where the harvest is fruitful and beautiful.
Àkókò Iṣẹ́ Àkànṣe: Built in Jan. 2020 in Taichung city in Taiwan.
Ìlànà Ìṣiṣẹ́: Made from willow wood and veneer, the piece is made from a tongue and groove wooden structure with snap-on hardware and shaped by handcrafted veneer bending. No nails are used to achieve a sustainable outcome that can be completely disassembled.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Copyrights belong to doT & associates, 2020.
Àwọn Ọmọ Ẹgbẹ́: Design Director : Hide Lin,
Art Director : Yvon Chiu,
Designer : Shau Chang,
Designer : Wen Shen
Ìfọwọ́sí Àwòrán: Vito Photography