Labyrinthine Journey of a Ballerina Awọn Aṣọ Obirin láti ọwọ́ Tingyu Hu

Labyrinthine Journey of a Ballerina Awọn Aṣọ Obirin láti ọwọ́ Tingyu Hu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àṣà Ìmúra, Aṣọ àti Ẹ̀wù.

IrinÀṣà Ìmúra· 2022

Labyrinthine Journey of a Ballerina Awọn Aṣọ Obirin

látọ̀wọ́ Tingyu Hu

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Àṣà Ìmúra

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #128106

Ṣàwárí Báyìí Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Labyrinthine Journey of a Ballerina Awọn Aṣọ Obirin

Irin-ajo Labyrinthine ti Ballerina kan n ṣe afihan idapọ ti bizarreness ati ofo ti aaye surrealism ati adun ti ballerina, ni lilo aṣọ bi alabọde. Apẹrẹ ṣe agbero awọn ege naa nipa lilo awọn eegun lati kọ iruju 3D kan, ati fifin ọpọlọpọ awọn aṣọ sihin n tẹnu mọ ero ti iwọn. Awọn iṣẹ-ọnà bii iboju silk ati iṣẹ-ọṣọ ọwọ jẹ lilo pupọ ni iṣẹ yii. Awọn aaye mẹta fun ikojọpọ yii jẹ iruju, aaye ati ojiji, ati iyatọ laarin eto ati rirọ.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Labyrinthine Journey of a Ballerina Awọn Aṣọ Obirin jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Labyrinthine Journey of a Ballerina Awọn Aṣọ Obirin yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Labyrinthine Journey of a Ballerina Awọn Aṣọ Obirin nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: What would it look like if clothes become the canvas or the carrier of a concept lingering in her mind? Absorbing the bizarreness and emptiness of space from surrealism art and the delicacy of the ballerina, Tingyu treated her garments as 'paintings' while combining the functionality of clothing. Layering and crafts like silkscreen and hand-embroidery are widely used in this project. Three points for this collection are 'illusion', 'space and shadow', and 'contrast between structure and softness'.
Ìwọ̀n àti Àpò: 5 looks in US Size 4.
Àwọn Àkọlé: surrealism, fashion, womenswear, wearable art, storytelling, pratt institute.
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Tingyu focuses on how dimensional a garment could be while keeping the balance of movement and abstraction. She uses boning to construct a 3D illusion and chooses transparent fabric to increase the layers of the garment so that emphasizes the concept of 'dimension', such as double knit layering, tulle over canvas, and beige lace over pink cotton sateen. About the techniques, crafts are always a major style so she corporates silkscreens and hand-embroidery to add some raw and playful feel to make the contrast with the strict color palette.
Ìpèníjà Àpèsè: To avoid the literal interpretation or similar techniques of 1930s surrealism fashion, Tingyu edited down ideas that were too superficial or easy to look at and balanced the fine art side and the apparel side. This project requires a lot of draping of asymmetrical shapes and experiments of fabric to figure out the best choice for a certain silhouette.
Ìwádìí: Standing in front of 'The Melancholy of Departure' by De Chirico at MOMA and wondering what does it look like when is a ballerina trying to escape from De Chirico's paintings? How is it possible to add multiple dimensions to garments, like the dream world in 'Blood of a Poet'? By analyzing the geometrical elements in De Chirico's paintings and reading his artist theory, with the whimsical feeling, the little sculpture on the arm, and the contrast between the softness of pale pink and lined silhouette, the narrative is presented through every detail.
Ìmísí: Giorgio De Chirico, 'Blood of a Poet' and classical ballet are the three major inspirations. By observing works by De Chirico, Tingyu captures the contrast of brightness and shadow, enormous environment and tiny figures, and unlimited extension of the space even she becomes a part of the painting. 'Blood of a Poet' emphasizes the theme of 'labyrinthine'. The dreamlike quirkiness of the movie inspires her to replace the main character with a ballerina.
Everything in this project is the reflection of her vision.
Àkókò Iṣẹ́ Àkànṣe: The project finished in May 2019 and shoot in 2022.
Ìlànà Ìṣiṣẹ́: Tingyu creates a womenswear fashion collection 'A Labyrinthine Journey of a Ballerina' to present the quirkiness and elegance, structure and softness by using textile with the contrast of canvas and tulle, and asymmetrical shape. Inspired by surrealism art and movies and ballet costume.
Àwọn Ọmọ Ẹgbẹ́: Fashion Designer: Tingyu Hu
Ìfọwọ́sí Àwòrán: Photographer: Sha Luo
Designer & Styling: Tingyu Hu
Makeup: Shiyao Liu
Model: PJ
Assistants: Xiang Cheng, Gianna Chun
Special Thanks: 19