Waiting for the Wave in Metaverse Àwọn Iṣẹ́-ọnà Dijitali láti ọwọ́ Midori Yamazaki

Waiting for the Wave in Metaverse Àwọn Iṣẹ́-ọnà Dijitali láti ọwọ́ Midori Yamazaki jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Iṣẹ́ Ọnà Dijítà.

IdẹIṣẹ́ Ọnà Dijítà· 2024

Waiting for the Wave in Metaverse Àwọn Iṣẹ́-ọnà Dijitali

látọ̀wọ́ Midori Yamazaki

Oníbàárà: Out of Blue

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dijítà

59,618

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #154231

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Waiting for the Wave in Metaverse Àwọn Iṣẹ́-ọnà Dijitali

Iṣẹ́-ọnà yìí jẹ́ ìfihàn àwòrán tirú ìgbì tí ó pé tán fún wíwẹ́ sọ́fìn tí ó wùní lójú tí ó sì ń fún àwọn olùwòye ní ìdààmú tí ó dùn lápapọ̀. A ṣẹ̀dá a nípasẹ̀ ìlànà ìṣẹ̀dá láàrín dijitali àti ti-ara, tí ń dàpọ̀ òtítọ́ àti òtítọ́-fọ́nrán ní ìfọwọ́sowọ́pọ̀ pẹ̀lú EPFL. Ó ń gbìyànjú láti ṣe agbéyẹ̀wò ìrírí nínú àdáyébá, ó sì tún jẹ́rìí sí agbára rírọ̀ ti àwọn agbára ìmọ̀-ọkàn ènìyàn tí ó ń yan àwọn ìrírí ẹ̀wà ní tirẹlẹ láti ṣẹ̀dá ọjọ́ ọ̀la tí ó dára jùlọ. Ìmọ̀ nípa ìwàláàyè ènìyàn yóò wà láìyípadà títí láéláé, pàápàá nínú ọjọ́ ọ̀la níbi tí òtítọ́ wà nínú rúdurùdu.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Waiting for the Wave in Metaverse Àwọn Iṣẹ́-ọnà Dijitali jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Waiting for the Wave in Metaverse Àwọn Iṣẹ́-ọnà Dijitali yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Waiting for the Wave in Metaverse Àwọn Iṣẹ́-ọnà Dijitali ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This artwork is a visualisation of the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever, through a creative process that mixes reality and virtual reality. It attempts to generate an experience in nature and reaffirms the supple strength of human cognitive abilities that select actively beautiful experiences to create a better future, and a sense of human existence that will remain unchanged forever, even in a future where reality is in chaos.
Ìwọ̀n àti Àpò: Video: Width 1920px X Height 1080px Static image: Width 460mm X Height 305mm
Àwọn Àkọlé: wave, nature, science, visualization, digitalart, digitalfabrication
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The artwork was created through a playful creative process, between digital and physical, 2D and 3D, mixing reality and virtual reality. The hand-drawn intuitive sketches of waves and the simulation of ‘good waves’ suitable for surfing using ocean physics were combined to create the shape using stone powder in collaboration with EPFL (Swiss Federal Institute of Technology in Lausanne). The three-views that merged the two methods were used to create the hand-formed shapes. Surprisingly the aesthetic curves from the skilled hand-drawn sketches were very close to the simulation. And the sculptures were 3D scanned, output onto transparent materials, and photographed in the actual sea to create the digital artwork.
Ìpèníjà Àpèsè: The creative challenge in this research was to design an interaction that generates an awareness of what could reaffirm the supple strength of human cognitive abilities that actively select beautiful experiences to create a better future and a sense of human existence that will remain unchanged forever in the chaotic era. To this end, we attempted to create the artwork through a playful creative process between digital and physical, 2D and 3D, mixing reality and virtual reality.
Ìwádìí: The research question for this artwork is what design can help to make you connected to nature in order to live better in the chaotic era of reality and intended to express the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever. It was created by mixing reality and virtual reality in collaboration with Swiss Federal Institute of Technology in Lausanne. It generates the experience in nature and reaffirms the supple strength of human cognitive abilities.
Ìmísí: Modern technology makes it easy to replicate visual representations that are indistinguishable from reality these days. The metaverse has become one of the spaces in which we humans exist, and the definition of existence is being distorted. However, we live in ever-changing times and continue to evolve, recognising and accepting flexibly the chaos of reality and the unreality that technology brings. The artwork attempts to express eternal existence with positive hope.
Àkókò Iṣẹ́ Àkànṣe: This artwork was launched worldwide, in May 2023. It will be open to the public for a minimum of five years. (It will be extended wherever possible).
Ìlànà Ìṣiṣẹ́: These are videos and static images as digital artworks.
Ìfọwọ́sí Àwòrán: Image #1: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #2: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #3: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #4: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #5: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.