Near Figure 博物馆

设计师： Meng Zhao

建筑类别A' Design Award 铜奖获奖者

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关于 Near Figure 博物馆

《近似形体》是一座为芬兰赫尔辛基设计的博物馆。该建筑探索了可辨识形态与不可辨识形态之间的中间状态。各类形体传达出某种目的感,却始终未被完全界定,因而其可读性随着参观者穿行于各个空间而逐渐显现。两条相互独立的流线通过建筑形态的变化交织在一起。博物馆内设有开放式展廊、展览厅、咖啡厅、室外平台及活动区域。绿色混凝土与再生木材提升了保温性能并减少了碳排放。建筑总面积为6400平方米。

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关于A' Design Award 铜奖

Near Figure 博物馆是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计Near Figure 博物馆将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。Near Figure 博物馆出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: The Museum in Finland explores the concept of "Near Figure" in architecture, an idea that engages with the critical state between identifiable and unidentifiable forms. This project delves into the tension of architectural progression, capturing a transitional phase where space and form exist in a state of both static and dynamic potential. Through this exploration, the museum represents an evolving symbol of the future of architectural trends.
尺寸与包装: Gross floor area: 6400 square meters Project type: Museum, Exhibits, Pavilions
标签: Museum, Near Figure, Exhibition, Helsinki, Finland, monumental building, city landmark, public space
生产技术: The material choice of concrete plays a central role. Its malleability offers the flexibility to express the tension between clarity and abstraction, making it an ideal medium to embody the critical state of architectural form. Concrete allows for the fluidity of shape transitions, highlighting the project's exploration of thresholds and the notion of purpose in design. The combination of recycled wood with green concrete improve the building's insulation and effectively reduces carbon emissions
设计挑战: The biggest challenge is exploring the meaning in Architecture. The project invested the big shape/form/figure with an air of purposefulness and will. Since modernism as a global hegemonic attitude was shaken and then definitively overcome by the forces of pomo and decon and the digital revolution, there has been a crisis in the belief that questions such as: How does architecture communicate? What is legible? The notion that meaning is possible or desirable in architecture has been challenged.
研究: The punchline to the project is something called a "near figure." Something with a shape, form or figure that conveys an uncanny sense of purpose, but is unable to be satisfactorily resolved into anything identifiable that could become singular and ultimately repressive. Trying to catch the sense of Progressiveness from mathematic geometry-cube. A series of transformation help to discover the threshold of Progressiveness of Legibility. Figure out the minimal and maximum transition of near figure
灵感: The "Near Figure" concept, where shapes and forms convey a sense of purpose but are deliberately left in a state that resists complete resolution. This ambiguity allows for a new type of legibility-one that emerges gradually as the viewer engages with the structure. Through the concept, the museum pushes the boundaries of contemporary architecture. It symbolizes a shift in architectural thinking towards a more conceptual, evolving expressions of purpose and identity in architecture.
项目周期: The project located in Helsinki Finland
操作流程: Two independent and directionally distinct circulation paths are interwoven through the transformation of the architectural form. The building's primary functions include open galleries, exhibition halls, cafe, exterior platforms, and activity areas. Within the public spaces, formal variations and deformations create enclosed functional zones such as offices, kitchen, private dining rooms, lounges, and intimate exhibition rooms.
图片版权: Designer: Meng Zhao Graphic: Meng Zhao