Mengtai Group 企业展馆室内设计 by Yibin Yang is a highly esteemed winner of the very prestigious 2026 A' Design Award 银奖 in 室内空间与展览设计 Competition Category.

银室内· 2026

Mengtai Group 企业展馆室内设计

by Yibin Yang

Client: Juji Culture (Beijing) Co., Ltd.

A' Design Award 银奖 Winner in 室内 Category

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Verified Award Winner
Verify Award Status for #173885

View at A' Design Award Press Release Award Badge

Colors

The Design

About Mengtai Group 企业展馆室内设计

蒙泰集团硬科技馆是位于内蒙古鄂尔多斯的企业展馆室内空间。展馆面积约4,500平方米，包含展厅、公共艺术作品及户外雕塑装置。设计摒弃了传统的展板与比例模型，转而采用源自工业生产线的空间语言。墙面由铝板拼装而成，地面选用阳极氧化处理的异形定制铝构件，接缝控制在0.2毫米以内。裸眼3D系统与一座长达22米的CAVE影院共同引导观众步入循环往复的叙事历程。

The Recognition

About the A' Design Award 银奖

Mengtai Group 企业展馆室内设计是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Mengtai Group 企业展馆室内设计将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Mengtai Group 企业展馆室内设计是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Situated in the expansive landscapes of Ordos, Inner Mongolia, the Mengtai Group Hard Technology Pavilion presents a fresh spatial narrative that includes a new corporate showroom, upgraded public artworks, and a series of outdoor sculptural installations. The design seeks to inspire a comprehensive and profound exploration of the origins of science, its spirit, belief system, dreams, ways of understanding, methodologies, perspectives, wisdom, philosophy, and its enduring mission
Dimensions & Packaging: The project covers an area of approximately 4,500 square meters
Tags: Exhibition, Hard Technology, Science Fiction, Mechanical Style
Production Technology: The Mengtai Group Hard Technology Pavilion places strong emphasis on the relationship between structure and form, embracing a mechanical and industrial aesthetic. Through precise structural design and meticulous detailing, combined with a variety of machining techniques, the pavilion showcases the authentic appeal of hard tech.
Design Challenge: The interior of the exhibition space avoids the conventional use of display boards and scaled models, instead translating the precision of industrial production lines into a spatial language. The walls are assembled entirely from aluminum panels; the floor is laid with anodized, custom shaped aluminum elements, with each seam controlled to within 0.2 millimeters.
Research: The design translates the philosophy, while science fiction writers build worldviews with words, designers should trigger cognitive revolutions through space, and If writers strike with dimensional reduction, then designers must elevate thought through spatial dimensions into concrete practice. Applying topological thinking to reconstruct the company’s history, the project embeds the concept of the Klein bottle’s cyclicality within the CAVE theater. The solution maximally embodies the core philosophy,of Mengtai Group,to make finite resources infinite, and to make infinite undertakings green.
Inspiration: Departing from the standard formula of corporate pavilions, poster boards + models + screens, the Mengtai Group Hard Technology Pavilion reimagines exhibition storytelling with a bold deconstruction of form. All content is distilled into the main lobby of the Technology Building, where a new narrative unfolds: from the present to the past, into the future, and ultimately back to the now offering a cyclical, immersive journey through time and innovation.
Project Duration: This project is located in Ordos City, Inner Mongolia Autonomous Region, and the entire project design was completed on April 1, 2025.
Operation Flow: When it comes to materials, the Mengtai Group Hard Technology Pavilion takes a daring approach, pushing the limits of materials, craftsmanship, and procedures by integrating multiple advanced metal materials and processes that break from traditional construction methods. The naked eye 3D system delivers realistic, floating images in mid air with a strong sense of depth, presenting clear and vivid visuals that remain unaffected by bright light sources, truly achieving the magical effect of seeing without touching. Meanwhile, the 22 meter long CAVE theater takes immersion to the extreme.
Team Members: Yibin Yang