Mae Qin Cyfres o Bosteri gan Kaidi Mao yn enillydd uchel ei barch o'r 2021 Gwobr Efydd A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Graffeg.

EfyddGraffeg· 2021

Qin Cyfres o Bosteri

gan Kaidi Mao

Cleient: Kaidi Mao

Enillydd Gwobr Efydd A' Design Award yn y Categori Graffeg

9,015

Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #124488

Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am Qin Cyfres o Bosteri

Mae Qin yn gyfres o bosteri sy'n ail-ddehongli traddodiad peintio tirlun Tsieineaidd trwy gyfrwng digidol. Daw'r enw Qin o air Tsieineaidd sy'n golygu treiddio neu ymdreiddio, ac mae'r cymeriad ysgrifenedig yn cyfuno'r arwyddion ar gyfer dŵr a chalon. Mae'r delweddau'n dechrau fel ffotograffau ac yna'n cael eu datblygu gydag offer digidol fel Photoshop, Cinema 4D a Procreate. Cynhyrchir y gyfres mewn dwy faint a gellir eu harddangos ar brint neu ar sgrin, mewn oriel neu gartref. Y bwriad yw mynegi'r olwg Taoaidd ar natur ar gyfer cynulleidfa ryngwladol.

Y Gydnabyddiaeth

Am y Gwobr Efydd A' Design Award

Mae Qin Cyfres o Bosteri yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Qin Cyfres o Bosteri fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Qin Cyfres o Bosteri yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Dimensiynau a Phecynnu: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Tagiau: Art, poster, Taoism, culture, landscape, painting
Technoleg Cynhyrchu: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Her Dylunio: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Ymchwil: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Ysbrydoliaeth: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Hyd y Prosiect: The project started in September 2019, finished in May 2020 in Los Angeles.
Llif Gweithrediad: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.