Obsessive Love Yanar Gizon Bikin Fim daga Min Huei Lu

Zane Obsessive Love Yanar Gizon Bikin Fim daga Min Huei Lu mai nasara ne mai daraja sosai na 2021 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Yanar Gizo.

TagullaYanar Gizo· 2021

Obsessive Love Yanar Gizon Bikin Fim

daga Min Huei Lu

Abokin Ciniki: Academy of Art University

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Yanar Gizo

15,097

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #120536

Gano Yanzu Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Obsessive Love Yanar Gizon Bikin Fim

Mai zanen ya ƙirƙiri wani shiri na bikin fim na hasashe don murnar fina-finan Alfred Hitchcock waɗanda a zahiri suna da sha'awar yawon buɗe ido. Zane ya biyo bayan zaren wanda haruffan da ba a cika su ba suna bibiyar wadanda abin ya shafa, suna ba su ma'anar mallaka, a ƙarshe, ƙarfafawa mai duhu yana motsa masu yawon shakatawa zuwa kisan kai. Abubuwan da ake gani, mahaɗar mai amfani, da ƙwarewar mai amfani duk an tsara su daga hangen nesa. A matsayin 'yan iska, masu sauraro ko ta yaya suna jin damuwa a cikin abubuwan da ke faruwa akan allo.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Obsessive Love Yanar Gizon Bikin Fim ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Obsessive Love Yanar Gizon Bikin Fim ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Obsessive Love Yanar Gizon Bikin Fim yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The hypothetical film festival project to celebrate the films of Alfred Hitchcock. The objective is to coordinate a complex set of materials that must function together as a whole. The idea is also to marry multiple messages with divergent formats—all with a unified and holistic aesthetic. This aesthetic has to contain the essence of the directors and their storytelling style.
Girma da Fakitin: Website Dimensions:1920px X 1080px
Kalmomin Alama: Film Festival
Fasahar Samarwa: Camera
Adobe XD
Adobe Photoshop
Ƙalubalen Zane: The biggest challenge upon embarking on this project was to explore and understand Albert Hitchcock’s work on a 5 series of films. The film’s theme mainly revolves around the perspective of a voyeur. The essence of Hitchcock’s work seeks to introduce the details that the character embraced and it showcases; a pocket knife, a pair of binoculars, the victim’s photos as well as the fragrance of the target. In order to achieve the same level of depth that the film was trying to portray, part of my process was to focus on the physical attributes of the voyeur’s tools to be incorporated into my design process and innovation.
Bincike: The design follows a thread which is unfulfilled characters stalk victims, giving them a sense of ownership, in the end, dark empowerment motivates the voyeur to murder. The visual elements, user interface, and user experience are all designed from a voyeur perspective. As voyeurs, audiences somehow feel complicit in the events onscreen.
Wahayi: There is a prevailing obsession with voyeurism running throughout Hitchcock’s oeuvre. He knew that human beings have a fascination with watching. We are naturally nosy, curious, intrusive in our daily existence. As voyeur, audiences somehow feel complicit in the events onscreen. This project attempts to incorporate the artistic expression of Alfred Hitchcock and five chosen films in two ways–through consistent visual language and design deliverables that mesh together as an integrated system.
Tsawon Lokacin Aikin: The project started in March 2019 and finished in Jun 2019 in San Francisco.
Tsarin Aiki: This project requires extensive research, prototype testing for user’s ease as well as a lot of trial and errors. All this is to achieve a well-organized user interface for a pleasant user experience
Mambobin Ƙungiya: Min Huei Lu
Godiyar Hotuna: Image #1: Photographer/Creator Min Huei Lu
Image #2: Photographer/Creator Min Huei Lu
Image #3: Photographer/Creator Min Huei Lu
Image #4: Photographer/Creator Min Huei Lu
Image #5: Photographer/Creator Min Huei Lu