Anima Code Sila Kuleana Pilikino na Takuma Yamazaki

ʻO Anima Code Sila Kuleana Pilikino na Takuma Yamazaki he mea lanakila hanohano loa o ka 2021 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Manaʻo a me Hoʻolālā Kuhi.

KeleaweManaʻo· 2021

Anima Code Sila Kuleana Pilikino

na Takuma Yamazaki

Mea Kūʻai: Takuma Yamazaki

Mea Lanakila A' Design Award Keleawe ma ka Māhele Manaʻo

62,989

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #111284

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Anima Code Sila Kuleana Pilikino

ʻO Anima Code kahi sila kuleana pilikino i kāhāhia ʻia me kahi hōʻailona QR. Loaʻa i loko o ka hōʻailona kahi kī komo i ka ʻikepili kikohoʻe pūnaewele o ke kanaka. Nui nā kānaka e hoʻopaʻa nei i ko lākou ola ma nā pūnaewele kaiaulu, akā, pinepine nō e lilo ai kēia mau waihona i mea hiki ʻole ke kiʻi ʻia ma hope o ka make ʻana. Hāʻawi ʻo Anima Code i ka poʻe i koe i ke kūlana e wehewehe i kahi hōʻailona i kāhāhia mua ʻia a e hiki ai iā lākou ke kiʻi i nā waihona kikohoʻe o ka mea i hala. Hana ʻia ka sila me ka ʻakelika ʻike maka, i kāhāhia ʻia me ka lēkiō i nā ana pololei, a he 10 mm ka ʻaoʻao like ʻole a 62 mm ka lōʻihi. Hana ʻia ka pahu waihona me ka lāʻau paulownia, kahi mea i hoʻohana loa ʻia ma Iapana no ka mālama waiwai.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Anima Code Sila Kuleana Pilikino i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Anima Code Sila Kuleana Pilikino he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Anima Code Sila Kuleana Pilikino i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Anima Code is a Hanko (Japanese personal seal) with an engraved QR code. The unique code contains a key to a person's online digital data, and after his or her death, the bereaved ones can reach the person's digital archives by scanning the code stamped beforehand. Through the physical interaction of stamping a seal, this project explores the secure yet intimate approach for inheritance in the digital era.
Nā Ana a me ka Hoʻopili: The dimensions of the stamp are 10mm square and 62mm long; the proportions complement the delicacy and precision of the QR code engraving. The packaging is made of paulownia wood, a material that is highly airtight and suitable for storage to maintain proper internal humidity. The box made of paulownia wood has been used in Japan since ancient times to store and preserve porcelain and art objects, and also means "inheritance".
Nā Lepili: Hanko, Seal, Digital, Inheritance, QR Code, Analogue, Social Media, Die, Graves, Tomb
ʻEnehana Hana: This product adopts acrylic as a major material for its highly weather-resistant and processability. This transparent material is also a metaphor for the intangibility and ambiguity of digital data and its anti-ageing property. In cooperation with a technical manufacturer, it will be laser-engraved to cut out highly precise dimensions. The engraved surface will also be hydrophilic coated for sharp-edge printing so that a camera can read at 10mm square QR code.
Pilikia Hoʻolālā: In terms of the attempt to bridge the present world to afterlife, this product exists between the real and unreal worlds. Because of its unique characteristic of the project, the biggest challenge was how I could design ambiguity without ruining the function as a stamp. For proceeding the project, deliberation and respect for various cultures and religions are also required, reconciling diverse views on life and death with the universality of the event of passing away.
Noiʻi: In addition to the digital data after one’s death, the shortage of land for cemeteries and their management has become a social issue in recent times. In a complex age that is technology-driven but still largely material, this project examines the end of life from both digital and analogue perspectives. Through the miniaturization of graves and the harmonization of data and physicality, this product is intended to be an alternative solution to these problems.
Hoʻoulu Manaʻo: Since the rise and domination of social media, many of us continue to leave a trace of our life online with texts, photos and videos. While that uploaded media collective has the potential to projects a multifaceted view of an individual's life, however, once the contributor dies, such digital archives are forgotten and not accessible to even our loved ones. I found the possibility of a physical and emotional act of stamping as a solution to this ongoing social issue.
Ka Lōʻihi o ka Papahana: Began in Japan in 2019 and is underway for official launch in 2021.
Kaʻina Hana: Users register their social media accounts with the product through a dedicated service before their death. A stamp is produced with an imprinted QR code that serves as an access key to those online services. People who are given the seal will be able to read it with a camera and access the archived data of the deceased.
Nā Lālā Hui: Takuma Yamazaki
Nā Kuleana Kiʻi: Photo:Takuma Yamazaki
Design: Takuma Yamazaki