Ihe emepụtara bụ Past at Last Ejiji Na-adịgide Adịgide nke Tihana Miksa bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ejiji, Uwe na Akwa Uwe.
ỌlaọchaEjiji· 2021
Past at Last Ejiji Na-adịgide Adịgide
nke Tihana Miksa
Onye Ahịa: Tihana Mikša
Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ejiji
Onye Meriri Onyinye A Kwadoro
Nyochaa Ọnọdụ Onyinye maka #113802Nhazi a
Maka Past at Last Ejiji Na-adịgide Adịgide
Ihe kachasị mkpa n'ịhazi ejiji ndị a bụ ụdị mmetụ aka bara ụba, na-atọ ụtọ na ịcha agba na-adịghị otu. N'ihi nke a, ejiji ndị a nwere nhata, dị mfe ma bụrụ ụdị mechiri emechi na-enweghị mgbanwe siri ike na nhazi ha. Ihe ndị a na-enyocha ụdị anya, mmetụ aka, ihe eji mee ha, mmegharị dị ndụ na nhazi akwa. Agba ndị a adịghị ike ma na-enweghị ụcha agba pụrụ iche, ma e wezụga agba uhie na-egbuke n'ime usoro agba dị nwayọọ a.
Nkwanye Ugwu
Maka Ihe Nrite A' Design Award nke Ọlaọcha
Past at Last Ejiji Na-adịgide Adịgide meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Past at Last Ejiji Na-adịgide Adịgide ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Past at Last Ejiji Na-adịgide Adịgide bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.
N'azụ Nhazi a
Ngwugwu Mgbasa Ozi
Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.
- Àgwà Pụrụ Iche
- The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum. - Mkpado
- basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
- Teknụzụ Mmepụta
- The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
- Ịma Aka Imepụta
- Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques. - Mkpali
- The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing. - Oge Ọrụ
- 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
- Asụsụ Foto
- Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.
Nkwado
Nyochaa Karịa Designers.org
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