Proof of Existence Uwe Ụmụ Nwanyị nke Hyeonjeong Woo

Ihe emepụtara bụ Proof of Existence Uwe Ụmụ Nwanyị nke Hyeonjeong Woo bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ejiji, Uwe na Akwa Uwe.

BronzEjiji· 2022

Proof of Existence Uwe Ụmụ Nwanyị

nke Hyeonjeong Woo

Onye Ahịa: Hyeonjeong Woo

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ejiji

35,761

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #136492

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Proof of Existence Uwe Ụmụ Nwanyị

Agba na ihe nnọchianya nke ọkọlọtọ egwurugwu bụ mkpali maka nchịkọta a dị njikere iyi. Na mgbakwunye na nkọwa nhazi ha dị ka igbe na-adọrọ adọrọ na shirring, anya ọ bụla dị ike nwekwara ihe eji aka ya mee pendants na beads na-ejikọta akwa na-emepụta textures. monochrome a siri ike na silhouette pụrụ iche nke nkọwa ihe owuwu na-akwado na-enye echiche ọhụụ na-atọ ụtọ. Ọ bụ ihe niile gbasara ka esi sụgharịa asụsụ imewe n'ụzọ okike ka ọ bụrụ uwe n'achụghị nkọwa ihe owuwu ma ọ bụ ihe ịchọ mma, na-atụ aro ọdịdị ọhụrụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Proof of Existence Uwe Ụmụ Nwanyị meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Proof of Existence Uwe Ụmụ Nwanyị ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Proof of Existence Uwe Ụmụ Nwanyị na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The rainbow flag serves as an inspiration for this streetwear-inspired collection, with each of the colors denoting a different aspect of what we hold dear in life. Handcrafted resin jewelry depicting nature-inspired designs adorns the monochromatic. I investigated ways to realize traditional two-dimensional repeated prints on fabrics into three-dimensional work to create exciting textures, each look holding different meanings. I concentrated on the thoughts and feelings while visualizing and tactilely experiencing each color and linked them to its purpose. Red represents life; Yellow means the sunlight, which reminds me of Atlanta, with great pine pollen in the springtime, which led me to use yellow durag. Green reflects nature, but it also means poison. To imply that, I painted the deadstock poly fabric with acrylic paint. Blue represents harmony. Finally, I used purple taffeta to achieve this effect by reflecting sun rays, creating the illusion of Venus or the Statue of Liberty.
Nha & Mkpuchi: Industry-standard size of S/M for women.
Mkpado: Monochrome, Womenswear, Street Fashion, Rainbow, Wearable Art, Clothing, Textile Design
Teknụzụ Mmepụta: Utilizing my deadstock fabrics was the key. Initially, I had no intention of creating monochrome looks, but after doing some research, it became clear that this was the best option. I wanted to add dynamics to the eyes, I decided to make my own embellishments to add interplay and exciting textures to the design while staying true to its concept. I applied hand-drawn, molded, colored, ground, coated, and hand-stitched resin embellishments. I experimented with as many fabrics as I could find around, when I couldn't find the right color, I dyed, painted, or printed them since I wanted to maximize the use of fabric and buy less. I also sought to accomplish fruitful design details and structures and offer intricate designs and silhouettes, shirring, unbalanced cutting, pleating, and draping techniques to give organic and geometric aesthetics while having fun with small design details. The more the audience looked closer, the more details they could find.
Ịma Aka Imepụta: In this collection, five different fabrics had to be utilized and placed correctly, which was the most challenging part of the project because using deadstock could mean a limited choice. Each material has its unique characteristics and quality; unexpected accidents always occur. Besides, I was desperate for industrial sewing machines and sergers. It also was my first time working with epoxy resin; producing hundreds of tiny pieces, casting, and grinding was such a time-consuming process. Everything was well-assembled and provided enjoyment in discovering small details, so it was worthwhile.
Nchọpụta: Designers and artists should each have their own values and principles that guide their work. To make the world a better place, they must put in the time and effort and offer their skills to it. I use fashion as a platform because I believe the wearer can be a great exhibition with mobility; I frequently use it as a chance to discuss mental health with social issues; The rainbow flag's origins can be traced back to that place because it symbolizes acceptance and love, two things we desperately need.
Mkpali: As a result of the rise in hate crimes against the socially marginalized, I've found it increasingly difficult to deal with the issues. This collection was created in response to it, and it was inspired by rainbow flags, which intuitively represent the harmony, peace, and love we so desperately need right now. The collection's key is in how imaginatively it interprets the meaning of rainbow-hued clothing.
Oge Ọrụ: It was produced in South Korea from April 2021 to January 2022.
Usoro Ọrụ: The primary and monochromatic hues give the clothes distinct energy of their own. With a wide range of fabric and garment construction techniques, it is Ready-To-Wear; however, the unique fabrications and decorative elements allow it to provide an elevated atmosphere to the wearers and viewers. Most garments are light to midweight; the wearer can perform without hassles and not lose the aesthetics. It can be worn in various settings, from business to a night on the town. Its traditional patternmaking method comforts the wearers, but its intense colors and unique surface design will make a difference. Equipped with both straight and curved harmony, softness, and solidity, this collection is faithful to the role of clothes yet aesthetical.
Patentị: Copyrights to Hyeonjeong Woo, 2022
Asụsụ Foto: Image #1: Hyeonjeong Woo, Proof of Existence, 2022
Image #2: Hyeonjeong Woo, Proof of Existence, 2022
Image #3: Hyeonjeong Woo, Proof of Existence, 2022
Image #4: Hyeonjeong Woo, Proof of Existence, 2022
Image #5: Hyeonjeong Woo, Proof of Existence, 2022