Ihe emepụtara bụ Gordafarid Uwe nke Mina Aliyari bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ejiji, Uwe na Akwa Uwe.

IgweEjiji· 2025

Gordafarid Uwe

nke Mina Aliyari

Onye Ahịa: Kahkeshan Shahab Danesh

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ejiji

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Gordafarid Uwe

Gordafarid bụ uwe emere site na kapeeti ndị Peasia ejirila mee ihe ọzọ. Kapeeti ndị e ji aka kpaa nke mebiri emebi na-abaghị uru ọzọ na-eme ahụ elu uwe ahụ ma na-edobe ọdịdị mbụ ha. A na-eji linen na usoro ịkpụda akwa (draping) mee ọkpa ahụ, nke sitere n'echiche uwe ndị agbụrụ Iran. Ihe e kekwasịrị isi jikọtara mgbakọ atụmatụ Iran (Iranian geometry) na usoro origami. Shawl e ji ihe ntanye igwe (metal spring wires) na akwa mee ya nwere ike ịnwe ọdịdị dị iche iche mgbe e yikwasịrị ya n'ahụ. Ihe njikọ dị iche iche (variable straps) na-eme ka a gbanwee nha na ọrụ ya. A na-apụkwa ikonye akụkụ kapeeti ahụ n'ahụ mgbidi ma ọ bụkwanụ tọgbọ ya n'ala.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Gordafarid Uwe meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Gordafarid Uwe ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Gordafarid Uwe maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
Nha & Mkpuchi: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
Mkpado: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
Teknụzụ Mmepụta: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
Ịma Aka Imepụta: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
Nchọpụta: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
Mkpali: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
Oge Ọrụ: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
Usoro Ọrụ: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
Ndị Otu: Mina Aliyari
Shahin Nayyer
Asụsụ Foto: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024