Floral Album Nchịkọta Ejiji nke Xinyu Zheng

Ihe emepụtara bụ Floral Album Nchịkọta Ejiji nke Xinyu Zheng bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ejiji, Uwe na Akwa Uwe.

IgweEjiji· 2026

Floral Album Nchịkọta Ejiji

nke Xinyu Zheng

Onye Ahịa: Tulip 'n room

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ejiji

11,611

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #177958

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Floral Album Nchịkọta Ejiji

Floral Album bụ nchịkọta ejiji sitere na foto ezinụlọ nke afọ 1980 nweta mmụọ nsinye. E ji akwa ndị fọdụrụ n'ahịa (deadstock) mee nchịkọta a, jikọta ya na ọtụtụ usoro ọrụ aka. A na-etinye ihe ịkwa aka, krochet, ịkpụ chaplet, ịkpa akwa na cross stitch na velvet nakwa na akwa ndị na-ahụ anya e doro n'ọkwa dị iche iche. Ihe ịchọ mma krochet na akụkụ ndị a kpara akpa nwere ihe sequin na-egbuke egbuke mgbe onye yi ya na-emegharị ahụ. A na-arụ uwe ọ bụla n'otu n'otu, ya mere ọ dịghị nke a na-emeghari emeghari. Uwe niile bụ otu nha maka mmadụ niile. Nchịkọta a jikọtara ọrụ aka zuru oke na iji akwa ndị a na-eleghara anya eme ihe ọzọ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Floral Album Nchịkọta Ejiji meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Floral Album Nchịkọta Ejiji ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Floral Album Nchịkọta Ejiji maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Nha & Mkpuchi: All the pieces are free size.
Mkpado: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Teknụzụ Mmepụta: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Ịma Aka Imepụta: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Nchọpụta: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Mkpali: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Oge Ọrụ: This project was initiated in April 2023 and completed in September 2024 in New York.
Usoro Ọrụ: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Patentị: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Ndị Otu: /
Asụsụ Foto: Stefy Lin, 2024.