Ɛeddi ɣer ugbur

Eleology Taqerɛet n zzit uzemmur sɣur Antonia Skaraki

Eleology Taqerɛet n zzit uzemmur sɣur Antonia Skaraki d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ukemmus.


LbrunzAkemmus· 2026

Eleology Taqerɛet n zzit uzemmur

sɣur Antonia Skaraki

Amsaɣ: Eleology

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Akemmus

8,042

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #176525

Initen

Afeṣṣel

Ɣef Eleology Taqerɛet n zzit uzemmur

Eleology tessenfal asmugger n zzit uzemmur ɣer yiwen n wafeṣṣil n uɣawas d amedyaz yettdumun. Taqerɛet tamellalt taṣfut tesmektay-d leḥyuḍ n tudrin n tmurt n Yunan, ma d tili taleqqaqt n tṣeṭṭa n uzemmur temmal-d ansayen, tazmert n tṛuẓi akked usmayni. Talɣa-s tanaẓurt teddukkel gar useqdec asehlan i ufus d yiswi n tmuɣli, am wakken tessefray-d allus n useqdec-is am uqessul n yijeǧǧigen neɣ d asmekti. Mi tedda akked tebwaḍt s ujerreḍ i d-yettmettilen udmawen n tmasɣa, aɣawas-agi yesdukkul taṣfawt, tanezzayt tameɣlalt akked tullist tadelsant, yettarra asmugger n yal ass d ayla n umezruy ur nettmettat.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Eleology Taqerɛet n zzit uzemmur d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Eleology Taqerɛet n zzit uzemmur ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Eleology Taqerɛet n zzit uzemmur yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Eleology redefines olive oil packaging through a poetic, minimal design that unites heritage and modernity. A soft white surface recalls Greek village walls, while the shadow of an olive branch evokes timeless tradition. The sculptural bottle is designed to outlive its contents, encouraging reuse as an object of memory, beauty, and cultural continuity.
Tigejdiwin & Akemmus
Bottle Width 137,9mm x Depth 55,3mm x Height 140mm
Bottle Width 146mm x Depth 62mm x Height 160mm
Tibzimin
Greece, olive oil, packaging, design, minimalism, heritage, culture, symbolism, sustainability, architecture, light, shadow, reuse, tradition, premium, innovation
Tasnakta n Ufares
The bottle is made of glass and is crafted with a smooth matte finish. Advanced printing techniques enable the delicate shadow effect of the olive branch on the surface. The box is made of a 320gr paper and a texture is used, referencing the plastered village walls of Greece. Materials and processes were chosen to combine visual elegance with practical durability.
Asewḥel n Usnulfu
The challenge was capturing the cultural poetry of olive oil in a form that avoids cliché. Balancing symbolism with simplicity required careful experimentation with finishes and shadows. External factors such as production feasibility, sustainability, and durability influenced choices. Overcoming these challenges resulted in packaging that embodies both timeless heritage and functional innovation.
Anadi
The design emerged from cultural and visual research into Greek architecture, light, and landscape. Objectives were to express tradition and purity through contemporary design. Methodologies included observational studies of village houses, symbolic exploration of the olive branch, and testing finishes for tactility. Results show a design that preserves heritage while offering a versatile, modern product experience.
Aseḥbiber
Inspired by Greece's radiant light and enduring architecture, the design reflects the play of shadows on whitewashed village walls. The olive branch, a universal symbol of resilience and nourishment, became central to the visual narrative. The project sought to honour both the natural environment and the communities who preserve olive-growing traditions through subtle, poetic cues.
Tanzagt n Usenfar
The project started in Fabruary 2024 in Athens and finished in June 2024 in Athens.
Tanila n Umahil
The ergonomic bottle offers ease of handling and pouring, while its wide form ensures balance and presence. Once the oil is consumed, the vessel transforms into a decorative object, extending its lifecycle as a vase or container. This flow from functional packaging to timeless keepsake enhances user interaction, making the design both sustainable and emotionally engaging.
Igmamen n Terbaɛt
Designer: Andreas Deskas
Creative Director: Antonia Skaraki
Imsuren n Tugniwin
Image #1: Art Director Andreas Deskas
Image #2: Art Director Andreas Deskas
Image #3: Art Director Andreas Deskas
Image #4: Art Director Andreas Deskas
Image #5: Art Director Andreas Deskas

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

Sumer