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Vicereines of Ireland Buku Akademik oleh Jurga Rakauskaite-Larkin

Reka bentuk Vicereines of Ireland Buku Akademik oleh Jurga Rakauskaite-Larkin ialah pemenang yang sangat dihormati bagi 2022 A' Design Award Besi yang amat berprestij dalam Kategori Pertandingan Reka Bentuk Media Cetak dan Penerbitan.


BesiCetakan· 2022

Vicereines of Ireland Buku Akademik

oleh Jurga Rakauskaite-Larkin

Klien: The Office of Public Works

Pemenang A' Design Award Besi dalam Kategori Cetakan

13,246

Pemenang Anugerah Yang Disahkan

Sahkan Status Anugerah untuk #135430

Warna

Reka Bentuk

Mengenai Vicereines of Ireland Buku Akademik

Vicereines of Ireland ialah sebuah buku akademik mengenai sekumpulan wanita yang dipandang remeh dalam sejarah Ireland. Reka bentuknya menangkap dunia material yang kaya bagi wanita-wanita ini dan juga mencerminkan sifat kemanusiaan dalam tindakan mereka. Palet warna diambil daripada cat merah jambu pudar yang masih kekal pada palet cat salah seorang wanita tersebut. Kertas hujung diilhamkan daripada buku nota bermotif marmar Itali yang lama dan dihasilkan menggunakan teknik marmar bintik tradisional yang kemudiannya disesuaikan secara digital. Bingkai kerajang emas ditekap pada kulit keras di belakang imej kulit buku, supaya wanita yang digambarkan itu kelihatan tampil ke hadapan.

Pengiktirafan

Mengenai A' Design Award Besi

Vicereines of Ireland Buku Akademik ialah pemenang A' Design Award Besi, pengiktirafan yang berprestij yang dianugerahkan kepada reka bentuk yang baik yang memenuhi keperluan profesional dan industri yang dijangka daripada ciptaan yang direka dengan baik. Pemenang Besi menunjukkan kemahiran yang besar, kepakaran yang tinggi, kefahaman pakar dan keupayaan kreatif penciptanya. Vicereines of Ireland Buku Akademik diharapkan menjadi ciptaan yang sangat dihargai, dikagumi dan disayangi yang praktikal dan inovatif. Reka bentuk pemenang A' Design Award Besi ini menyepadukan amalan terbaik industri dan mempunyai ciri teknikal yang kompeten yang dikaitkan dengan kepakaran dan bakat. Vicereines of Ireland Buku Akademik dihormati kerana ketelitiannya dan direka untuk memberikan peningkatan kualiti hidup yang membantu menjadikan dunia tempat yang lebih baik.

Di Sebalik Reka Bentuk

Kit Akhbar

Kredit, ahli pasukan dan butiran teknikal yang disediakan oleh pereka.

Ciri-Ciri Unik
Aim of the design was to capture rich material world, and also to reflect these women's humanity. The choice of a simple cover rather than grand portrait, that mainly appear on the covers of art history books, reflects this approach. The gilded frame that usually surrounds many portraits is placed not around the portrait image but behind it, on the hard cover, allowing the image of the woman to come forward. It encourages reader to look beyond the superficial image of women as decorative partners to powerful men.
Dimensi & Pembungkusan
Size:
21.46 x 2.79 x 24.51 cm portrait,
Cover:
Hardcover with Luxor 220 Gold foil block on the front and spine
Dust jacket with Matt Black foil block on the front and spine,
Printed: 4/4 CMYK,
Binding:
Hardcover, head and tail gold bands, 2.5 mm boards, thread sewn,
Black silk ribbon,
Repro:
Images supplied digitally, image and colour corrections,
One set of digital colour proofs
Tag
book, irishdesign, irishculture,
Teknologi Pengeluaran
The making of the book was a dialogue between the written content, the visual material discovered during the research, and current design practices. One of the key sources used in the writing of the book was an old Italian marbled notebook that belonged to one of the women. This inspired the creation of artwork for the book's end papers. The book's colour palette was sent to an artist, who created six bespoke patterns using a traditional spot marbling technique. After selecting the most suitable, the pattern was digitally manipulated to give this traditional pattern a contemporary look.
Cabaran Reka Bentuk
As an academic book, there were specific design conventions which had to be followed. The challenge was to strike a balance between meeting these criteria and reflecting the seriousness of the book's content, while also pushing the creative boundaries to modernise the image of the art history book. A bold colour palette, unexpected cover image (and application of it), use of a ribbon bookmark inspired by the diaries of the vicereines and the choice of contemporary serif typography all helped to overcome this challenge.
Penyelidikan
The research for the design grew out of several years of original research for the book. This research was carried out in public and private archives across Ireland, Britain and the USA, and attracted funding from bodies including the Paul Mellon Centre for Studies in British Art. The main sources were the letters and diaries of these women, as well as their private collections of textiles, sketches and personal objects. One of the most inspiring of these objects was the paint palette of one of the women featured in the book. The book's colour scheme was taken from the blush pink paint colours that have survived on the palette since the 1780s.
Inspirasi
The book tells the untold story of a group of overlooked women in Irish history. As the wives of the countrys rulers, they were the female faces of the British administration in Ireland before independence. Even though their privileged world was one of shimmering fabrics, sparkling pearls and blossoming flowers, many of these women worked hard to relieve crushing poverty, promote Irish fashion and mitigate injustices. Despite their pioneering efforts, they have long been almost entirely forgotten in Irish history. Their story, and the value of telling it for the first time, inspired the project.
Tempoh Projek
Project started in 2019 and was finished in 2021 in Dublin, Ireland.
Ahli Pasukan
Editor: Myles Campbell
Project Manager: Mary Heffernan
Publisher: Irish Academic Press
Printed: Kopa Print
Kredit Imej
Image #1 Unknown artist, The Right Hon. The Countess of Buckinghamshire (detail), 1778. Reproduced courtesy of the National Library of Ireland
Image #2 Ausra Lazauskiene, Marbling artist
Image #4 Robert French (photographed by), The vicereine’s boudoir at the Viceregal Lodge, Dublin, Reproduced courtesy of the National Library of Ireland.
Image #5 After Sir Thomas Lawrence, Lady Henrietta Cole, Lady Grantham, later Countess de Grey, National Trust, Florence Court, County Fermanagh
Henri Gascar, Frances Talbot (née Jennings), Duchess of Tyrconnell, Bridgeman Images.
Maria Phipps, Countess of Mulgrave, later Marchioness of Normanby
Montego Bay, Jamaica, Photograph by Scott Wicking, reproduced courtesy of the Marquis and Marchioness of Normanby.

Photographer: Kevin Fox, 'We Shoot'

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