Xicpanahuī campa tlahtōlli
Aquetha Sake Tlaquimiloliztli ītēchcopa Tacto Inc.

Tlanāhuatīlli Aquetha Sake Tlaquimiloliztli ītēchcopa Tacto Inc. cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlaquimilolli Tlachihchihualiztli Nēhuilīztli Tlamantli.


IztacteocuitlatlTlaquimilolli· 2024

Aquetha Sake Tlaquimiloliztli

īpal Tacto Inc.

Tlanāhuatīlli: Tacto Inc

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlaquimilolli Tlamantli

31,491

Tlapalli

Tlanēxtilistli

Ītechcopa Aquetha Sake Tlaquimiloliztli

Aquetha ce tlaquimiloliztli ihuan machiyotlaliztli tlachihualiztli ipampa sake japontlalli in ye huecauh omopixqui. In tehuilocaxitl momachihua ica imma ce tehuilotl toltecatl ihuan moyahualtilia ica in tlalticpac itetilinaliz, inin quimaca ce yahualtic tlachializtli in quinextia in cahuitl ipanoliz. In yahualtic tlachihualiztli noihqui quipalehuia in cualli huecahualiztli in ihcuac ye ocallac itech in caxitl. In tlanextiloni amatlahcuilolli mochihua ica letterpress tlahcuiloliztli in ahtle tlapalli quipia, inic quinextiz in chipahuac iyeliz in cetl-totonqui huecahualiztli. In amacalli zan tlein monequi quipia ce tlacoyoctli itzalan in itzacca ihuan inacayo, inic quinextiz in cahuitl inemiliz in huecahualiztli. Inin tlachihualiztli quinextia in huecauh sake iuhqui ce toltecayotl, ahmo zan ce mahcehualli tlanamactli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Aquetha Sake Tlaquimiloliztli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Aquetha Sake Tlaquimiloliztli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Aquetha Sake Tlaquimiloliztli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
Aged sake is a minor genre among Japanese sake, and the design team needed to re-propose it to the world in a way that is not bound by the traditional context of Japanese sake. Therefore, they created a design to position AQUETHA, which is characterized by ice-temperature aging, as the umbrella for the online gallery “Kitamura Sake Exhibition,'' which views aged sake as works of art, and as the first of the works that will be exhibited and sold there. Based on this concept, they planned and developed bottles that are hand-made by artists, and a website that functions as a gallery. The selection of works for the second and subsequent editions is already underway, as they have been well-received by Western liquor fans and young people who were previously unable to approach aged sake.
Huēyiliztli īhuān Tlacualtepēhualli
Bottle: width 110mm × depths110mm × height150mm
Package: width135mm × depth135mm × height 165mm
Tōcāitl
Packaging, Product Design, Website
Tlachīhualiztli Māchiyōtl
Bottles and packaging that do not compromise
on every detail as a “artwork”.
Design team commissioned glass artist Yutaro Kijima to create a bottle that is shaped by the force of gravity and has a natural roundness that gives a sense of the passage of time. Furthermore, in order to make the most of the clear impression that is a characteristic of ice-cold aging, they created transparent labels printed using blank letterpress printing.

The outer box has a simple shape to make the flask-shaped bottle look more attractive. they created a dent on the border between the lid and the main body to express the aging timeline, creating a luxurious feel that incorporates the delicate image of the work.

A website that acts more like a gallery than EC site.
On the website, design team aimed to create a gallery-like space where the consumer could "feel" the work rather than "buying" the product. AQUETHA's greatest feature, the delicacy that matures slowly over time, is expressed through white-based visuals and delicate lines. The spacious design creates a clean, simple and sophisticated image.
Tlanāhuatīlli Nētēcahuilīztli
Since the Sake bottle is designed to be handcrafted one by one with glasswork craftsman, it was challenging to make them a perfect size and shape to keep the quality of sake among temperature and moisture. Design team and glass artist had tried so many different shape to test wether the bottle keeps the quality of sake in different atmosphere. They ended up using rounded bottle that helps smooth aging of sake after sake is bottled.
Tēyōllālīliztli
Design team faced business issue of what can they do to increase the value of aged sake, which is an idle asset in sake breweries across Japan. They found inspiration in paintings, which value of painting varies depending on popularity and the time. The solution was to open an online gallery as a curator to exhibit and sell aged sake, a treasure hidden throughout Japan.
Tēquitl Cāhuitl
2months, Tokyo, Japan
Tēquitl Ōhuitl
This tends to be SDGs project because lots of sake brewery have unsold sake that is asleep for a certain period of time (it is perfectly kept to be aged sake). The design team has branded them as Aged Sake to turn unsold sake into a value for brewery and customer, which ultimately prevented from lots of sake become a waste.
Calpolli Tlācah
Creative Director: Hayato Itakura
Strategist/Copy Writer: Takuro Nakajima
Art Director: Kohei Futakuchi
Visual Designer: Kazuya Sakamoto
Īxiptla Tlanēxtīlli
Photographer: Masato Ishibashi
Glass Artist: Yutaro Kijima

Tlacōhualli

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