Paul Robb and Moira Bartoloni nisqap Bellamy Sans Qillqa Rikch'ay diseñonqa Shuyu Kamay Atipanakuy T'aqapi 2025 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.
QullqiShuyu· 2025
Bellamy Sans Qillqa Rikch'ay
Paul Robb and Moira Bartoloni rurasqa
Mañakuq: S6 Foundry
Shuyu T'aqapi A' Design Award Qullqi Premiu Atipaq
Taripasqa Premio Atipaq
#167745 nisqapaq Premio Kayninta TaripayDiseñomanta
Bellamy Sans Qillqa Rikch'ay nisqamanta
Bellamy Sans nisqaqa huk kunan pacha mana q'illuyuq qillqa rikch'aymi, grotesco rikch'ayta musuqmanta yuyaykun huk sumaq allichasqa kunan pacha yuyaywan. Suiza qillqa ruway kawsayninkunapi sapin sayasqa, chawpi kaynin kamachikuyta waqaychan, chaynallataq huk llamp'u ñanta riqsichin ñawpaq grotescokunap sinchi kayninman. Mana anchata rikuriq t'uqyay sumaqta rurasqa k'uyuchi rikch'aykunapas kay qillqa rikch'ayman huk ñut'ukuy sumaq kayta qunku, huk sut'i kaywan paqarimuq, mana necesario k'achituykunamanta yanapakunalla.
Riqsichiy
A' Design Award Qullqi Premiu nisqamanta
Bellamy Sans Qillqa Rikch'ay A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Bellamy Sans Qillqa Rikch'ay ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Bellamy Sans Qillqa Rikch'ay achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.
Diseño Qhipanpi
Prensa Kit
Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.
- Sapaq Kayninkunamanta
- Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style with a refined, modern sensibility. Rooted in the tradition of Swiss typography, it maintains the core principle of neutrality while softening the rigidity often associated with classic grotesques. Its subtle contrast and carefully shaped curves lend it an understated elegance—minimalist yet expressive, free from superfluous ornamentation.
- Tupukuna & P'istuy
- The book is 120 pages, with the first section demonstrating the robustness of the font in use, the back pages are dedicated to the individual weights and glyphs.
- Etiquetakuna
- Type design, Typeface, Specimen
- Ruway Tecnología
- The font was digitally created and supported by over 200 Latin languages. The cover was printed onto a recycled board, the internal pages onto 150gsm recycled paper and the book was hand-sewn.
- Diseño Sasachakuy
- The primary challenge of this research lies in exploring how the utilitarian principles of historical grotesque typefaces with the nuanced sophistication of contemporary typography. It required addressing how typographic neutrality, clarity, simplicity, and versatility concepts can be reinterpreted through humanistic forms without compromising their functional essence. Additionally, the research must investigate how subtle design refinements can contribute to the evolution of modern typographic practices while honoring historical influences.
- T'aqwiy
- This research investigates the design philosophy and developmental process behind the font and explores how Bellamy Sans bridges the gap between the minimalist, utilitarian principles of historical grotesques and the nuanced sophistication of contemporary typography. Central to its design is typographic neutrality, emphasizing clarity, simplicity, and versatility. However, Bellamy Sans reinterprets these qualities through a more humanistic lens, introducing subtle refinements that balance mechanical precision with organic warmth. This research highlights the typeface’s role in evolving modern typographic practices, offering insights into how historical influences can be harmonized with contemporary design needs.
- Kallpachay
- The inspiration behind Bellamy Sans stems from a desire to bridge the gap between the functional clarity of mid-20th-century grotesque typefaces and the nuanced sophistication of contemporary design, embracing the idea of typographic neutrality—prioritizing clarity, simplicity, and versatility while reinterpreting these qualities with a more humanistic approach. The typeface was conceived to soften the rigidity often found in classic grotesques.
- Llamk'ay Pacha
- The initial designs were designed in November 2023 with the digital font launched in September 2024.
- Purichiy Puriy
- The Specimen book was sent to the first ten companies that ordered the complete family.
- Huñu Runakuna
- Paul Henry Robb
Moria Bartoloni - Siq'i Hayñikuna
- Paul Henry Robb
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