Afterimages رسالو by Przemek Hajek is a highly esteemed winner of the very prestigious 2022 A' Design Award چاندي انعام in ڇپائي ۽ شايع ٿيل ميڊيا ڊيزائن Competition Category.

چانديڇپائي· 2022

Afterimages رسالو

by Przemek Hajek

A' Design Award چاندي انعام Winner in ڇپائي Category

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Colors

The Design

About Afterimages رسالو

گرافڪ ڊيزائن جو تصور ۽ بصري ڪميونيڪيشن آفٽر اميجز آرٽ ميگزين لاءِ مربوط آهي: لوگو کان، سڃاڻپ کان وٺي ترتيب تائين. پروجيڪٽ جو بنيادي مقصد Lodz ۾ Strzeminski اڪيڊمي آف فائن آرٽس جي ورثي سان منهن ڏيڻ ۽ ان جو هڪ جديد نسخو ٺاهڻ هو جيڪو avant-garde روايت مان نڪتل آهي. خراب معيار وارو پيپر، سڪل اسٽيمپنگ ٽيڪنڪ، ڇپائيءَ جو رنگ (پينٽون) ڪپڙا تي لاڳو، هر مسئلي جي موضوع سان ملندڙ جلندڙ آهي. ميگزين ڀرپور نموني سان ڀريل آهي، معيار جي تصويرن سان ڀريل آهي، ۽ ان لحاظ کان اهو زندگي جي انداز جي ميگزين وانگر آهي.

The Recognition

About the A' Design Award چاندي انعام

Afterimages رسالو A' Design Award چاندي انعام جو کٽيندڙ آهي، غير معمولي حد تائين معزز اعتراف جيڪو اعليٰ ترين درجي جي، شاندار ۽ متاثر ڪندڙ ڊيزائنن کي ڏنو وڃي ٿو. چاندي جا کٽيندڙ تمام گهڻا روشن ۽ انتهائي تخليقي ڪم آهن، جيڪي پنهنجي ڊيزائنرن جي شاندار مهارت، صلاحيت ۽ ذڪاوت کي ظاهر ڪن ٿا. Afterimages رسالو کان اميد ڪئي وڃي ٿي ته اهو هڪ شاندار نمائشي ڪم هوندو، قابل ذڪر حد تائين پيشه ورانه ۽ ڳوڙهي جدت وارو. هي ڊيزائن جنهن A' Design Award چاندي انعام کٽيو آهي، هڪ انتهائي قابل ذڪر، ساراهيل ايجاد آهي جيڪا فائدو ڏئي ٿي ۽ فن، سائنس، ڊيزائن ۽ ٽيڪنالاجي جون حدون وڌائي ٿي. Afterimages رسالو هڪ اهڙي تخليق آهي جنهن تي گهڻا حسد ڪن ٿا، جيڪا خواهشون جاڳائي ٿي، مثبت جذبا آڻي ٿي ۽ حيرت ۽ تعجب جي چڻنگ ٻاري ٿي.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Bigger format, rough high quality paper from the 'csm' collection, dry-stamping technique, the printing color (Pantone) applied to the cover corresponds to the topic of each issue. The magazine is richly illustrated, filled with high-quality photos, and in this respect it resembles life style magazines. It is the first printed magazine published by the Strzeminski Academy of Fine Arts in Lodz and it is available not only for students and teaches, it is distributed nationwide.
Dimensions & Packaging: 230 x 300 mm, about 250-300 pages
Tags: Art Magazine, Print Design, Graphic design, Cover Design, Publication, Visual communication
Production Technology: High quality offset print Pantone (cover) Cmyk (inside)
Design Challenge: The challenge was to create a design of the magazine, on the one hand, referring to the avant-garde tradition, and on the other, creating its modern, fresh version. It was a challenge to reach interested recipients, create a platform and a community around the magazine and create a magazine with premium design, content and paper on a limited budget and with a small team.
Research: The artistic and scientific, thematic magazine Powidoki (Afterimages) is published by the Strzeminski Academy of Fine Arts in Lodz (Poland). The periodical is devoted to significant artistic and scientific events. It contains critical texts about art and design as well as interviews with prominent figures of the world of culture and higher education from Poland and abroad.
Inspiration: The inspiration of the project was the heritage of the Strzeminski Academy of Fine Arts Lodz and their great artists: Strzeminski, Kobro, Hiller, the avangarde, which was established over one hundred years ago. An afterimage is an image that continues to appear in the eyes after a period of exposure to the original image. Our brain produces it when we stare at something for a long time. This image is not as obvious as it seems at first glance. It is blurred and not clear.
Project Duration: The first issue of the magazine was created and published in 2019. By mid-2021 it has been published five issues of 'Afterimages' (two issues per year). Place of the creation of the magazine: Lodz, Poland.
Operation Flow: Interaction with the magazine: high quality print and paper, stamping can be felt under your finger, qr codes.
Team Members: Marta Ostajewska
Mariusz Wlodarczyk
Ryszard W. Kluszczynski.