Past at Last Teuga Faʻaauauina e Tihana Miksa

O le mamanu Past at Last Teuga Faʻaauauina e Tihana Miksa o se manumalo maualuga tele o le fa'ailoga mamalu 2021 A' Design Award Ario i le Vaega Tauva Mamanu Laei.

ArioLaei· 2021

Past at Last Teuga Faʻaauauina

na mamanuina e Tihana Miksa

Tagata Fa'atau: Tihana Mikša

Manumalo o le A' Design Award Ario i le Vaega Laei

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #113802

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Past at Last Teuga Faʻaauauina

O le faʻamamafa i le tuʻufaʻatasiga o lavalava e faʻatatau i mamanu mauoloa ma fiafia, faʻapea foʻi lanuina e le tutusa. O le taunuuga, o lavalava ia e feʻuiaʻi tutusa, mama ma foliga tapuni e aunoa ma ni fegalegaleaiga faigata i le fausaga. O nei mea e suʻesuʻeina ai le vaʻaiga, le tagoina, mea faʻaletino, gaioiga ola ma le fausiaina o ie. O lanu e vaivai le malosi ma e leai ni lanu, vagana ai lanu mūmū e feti i totonu o lenei lanu paʻepaʻe.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Past at Last Teuga Faʻaauauina, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Past at Last Teuga Faʻaauauina e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Past at Last Teuga Faʻaauauina o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Fa'ailoga: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Tekonolosi Gaosiga: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Lu'itau o le Mamanu: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Fa'aosofia: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Umi o le Poloketi: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Fa'aaloaloga o Ata: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.