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Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo by Shany Dvora

Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo by Shany Dvora is a highly esteemed winner of the very prestigious 2021 Moputso oa Silevera oa A' Design Award in Moralo wa Dikerafikhe, Ditshwantsho le Puisano ka Pono Competition Category.


SileveraKerafikhe· 2021

Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo

by Shany Dvora

Moputso oa Silevera oa A' Design Award Winner in Kerafikhe Category

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The Design

About Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo

Shany Abdallah Naji ke letoto la mesebetsi ea litšoantšo e tsosolosang moetlo oa lelapa oa ho reha mabitso. Moetlo ona, o ileng oa fela ha lelapa le tloha Iraq ho ea Israele, o ne o fa lesea le sa tsoa tsoaloa lebitso la pele le lateloang ke mabitso a ntate le a ntate-moholo. Letoto lena le entsoe ka mor'a hore ho fumanoe lipampiri tsa khale tsa bofalli ba lelapa. Mesebetsi e mehlano e kopantsoeng ea mecha e fapaneng, e 'nè e nang le bophara ba li-sentimetara tse 50 ka tse 70 le e 'ngoe e nang le bophara ba li-sentimetara tse 75 ka tse 70, e kopanya litšoantšo ka har'a mongolo o motle oa Seheberu o susumelitsoeng ke libuka tsa mengolo tsa Seheberu tse tsoang Iraq, Yemen le Morocco tse entsoeng pakeng tsa lekholo la bo12 le la bo15 la lilemo.

The Recognition

About the Moputso oa Silevera oa A' Design Award

Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Shany Abdallah Naji Primary Function: Letoto la Bonono ba Litšoantšo ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Dimensions & Packaging
4 works 50*70 cm
1 work 75*70 cm
Tags
Calligraphy, Typography, Hebrew, Eastern
Production Technology
Mixed Media
Design Challenge
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Research
For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Inspiration
In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Project Duration
2018-2019, Israel
Operation Flow
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Patents
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Team Members
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Image Credits
Shany Dvora

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