Clay Moulded Moralo oa Ka Hare oa Theatre ka Marius Mateika

Moralo oa Clay Moulded Moralo oa Ka Hare oa Theatre ka Marius Mateika ke mohlodi oa khau e hlomphehang haholo ya 2025 Moputso oa Khauta oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

KhautaKa Hare· 2025

Clay Moulded Moralo oa Ka Hare oa Theatre

ka Marius Mateika

Moreki: Mama architects

Mohlodi oa Moputso oa Khauta oa A' Design Award Mokhahleong oa Ka Hare

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #171457

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Clay Moulded Moralo oa Ka Hare oa Theatre

Clay Moulded ke moralo oa ka hare oa theatre ea 'mino e Klaipeda, Lithuania. Letsopa le koahela mabota le lisiling, 'me ho ile ha sebelisoa lithane tse fetang 30 tsa thepa ena ka matsoho. Paterone ea holo e kholo e tsoela pele ntle ho khefu ebile e tsamaea ho tloha qetellong e 'ngoe ea sebaka ho ea ho e 'ngoe. Ho ile ha ntlafatsoa mokhoa oa ho koahela oa mekhahlelo e supileng bakeng sa projeke ena, ho kenyeletsoa ho fafatsa, ho etsa lipaterone, ho omisa, ho hlatsoa, ho benyisa le ho boloka. Mabota le lisiling li ka buleha le ho koala ho laola pohomelo ea molumo, kahoo sebaka se ikamahanya le likonsarete, litšoantšiso le liboka. Holo ea bashebelli e na le litulo tsa batho ba 700.

Kamohelo

Mabapi le Moputso oa Khauta oa A' Design Award

Clay Moulded Moralo oa Ka Hare oa Theatre ke mohapi oa Moputso oa Khauta oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo ea maemo a pele, e ntle ka ho makatsa le e ikhethang. Bahapi ba Khauta ke lintho tse hlahisitsoeng tse nang le mehopolo e mecha haholo, tse shebileng pele le tse khanyang ka ho foufatsa, tse bontšang botsebi, bohlale le bokhoni ba baqapi ba tsona. Clay Moulded Moralo oa Ka Hare oa Theatre e lebelletsoe ho ba mohopolo o babatsoang haholo, o thehang mekhoa e mecha le o moholo, o tlisang boleng bo sa kang ba bonoa. Moralo ona o hapileng Moputso oa Khauta oa A' Design Award ke mosebetsi o tsosang maikutlo, o hlomphehang, o tlisang molemo o moholo le o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Clay Moulded Moralo oa Ka Hare oa Theatre e hlahisa maikutlo a matla a takatso, e tsosa tjantjello, e khothalletsa boqapi mme e re khahlisa.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Boholo le Phuthelo: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Lithegi: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Theknoloji ya Tlhahiso: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Phephetso ya Moralo: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Dipatlisiso: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Kgothaletso: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Nako ya Projeke: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Tsamaiso ya Mosebetsi: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Litho tsa Sehlopha: Architects: Marius Mateika
Litlotla tsa Setshwantsho: Photographer: Leonas Garbačauskas