Mateus Morgan tarapyndan Freeway Loud 3D Önüm Animasiýasy

Mateus Morgan tarapyndan döredilen Freeway Loud 3D Önüm Animasiýasy dizaýny Kino, Wideo we Animasiýa Dizaýny Bäsleşik Kategoriýasynda 2024 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşKino· 2024

Freeway Loud 3D Önüm Animasiýasy

dizaýner: Mateus Morgan

Müşderi: Morgan Studio

Kino Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

69,458

Tassyklanan Baýrak Ýeňijisi

#156123 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Freeway Loud 3D Önüm Animasiýasy hakynda

Freeway Loud aýakgap brendi üçin döredilen üç ölçegli önüm animasiýasydyr. Animasiýa aýakgaby senagat gurşawlarynyň içinde görkezýär, bu ýerde maşynlar önümi janlandyrýan ýaly bolup görünýär. Aýakgap fotosuratlar salgylanma hökmünde ulanylyp, 3ds Max programmasynda gaty ýüzey (hard surface) usullary bilen modellendi. Teksturalar deri suratlaryndan we sanly çotgalardan döredildi, sahnalar bolsa Vray bilen 1920 x 1080 piksel ölçegde renderlendi. Animasiýa onlaýn ulanyş üçin taýýarlandy we maksat düşündiriş tekstsiz, diňe şekiller arkaly üns çekmekdir.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Freeway Loud 3D Önüm Animasiýasy A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Freeway Loud 3D Önüm Animasiýasy ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Freeway Loud 3D Önüm Animasiýasy köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The idea was to give the product a modern aspect by the use of futuristic elements and the industrial machines that brings the shoe to life.
Ölçegler we Gaplama: 1920X1080
Bellikler: shoe, cgi, footwear, fashion, 3d boot, cgi boot, vessi
Önümçilik Tehnologiýasy: The shoe was modeled using photographs as a reference and hard surface 3D modeling techniques. For modeling we used the software 3ds Max. All the textures made using leather texture and some photoshop brushes. Vray was used for rendering.
Dizaýn Kynçylygy: The hardest part putting all the scenes in the same mood, considering that where a lot of different environments.
Gözleg: The work was executed based mainly on the previous experiences in other works for several companies of the sector footwear, in very natural way. Feedback was collected mainly online about the quality of the 3D itself as well as the sensations that people had in the first contact with the art.
Ylham: We where inspired by the industrial process and the technology involved in all the shoe construction process. As reference we used a lot of company local machines that are used on the shoe construction process.
Taslama Dowamlylygy: The project toke around 2 months to get done, starting on the planning stage, in Franca, SP, Brazil.
Iş Akymy: The animation visual was used on online such product website, instagram and facebook. The main focus was to attract attention to the product, bringing in the composition elements that generate the necessary sensations without the need for explanatory texts. Competitors often use images without a strong visual appeal, so the product, especially in the online market, goes unnoticed. The excess of texts works negatively in most of these cases, underestimating the viewer's intellect.
Topar Agzalary: Mateus Morgan, Murilo Secco, Carlos Masson, José Rafael, Henrique Melo, Samuel Simionato, Cadu Rosa, Vitor Fonseca