Guanshan Umsebenzi Oyintloko: Umfanekiso Wophawu Lweshishini ngu-Hong Jia Min

Uyilo olubizwa ngokuba yi-Guanshan Umsebenzi Oyintloko: Umfanekiso Wophawu Lweshishini olwenziwe ngu-Hong Jia Min ngumwini obekekileyo webhaso elinobukhazikhazi le-2025 Ibhaso Lentsimbi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweGrafiki, umZobo kunye noNxibelelwano oluBonakalayo.

IntsimbiIgrafiki· 2025

Guanshan Umsebenzi Oyintloko: Umfanekiso Wophawu Lweshishini

ngu Hong Jia Min

Umxhasi: Jijia Brand Creative Studio

Umwini we-Ibhaso Lentsimbi le-A' Design Award Kudidi Lwe-Igrafiki

2,022

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#172951

Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Guanshan Umsebenzi Oyintloko: Umfanekiso Wophawu Lweshishini

Umbhalo Wencwadi: I-Guanshan luphawu lweshishini olwenzelwe ivenkile yeti yobisi. Uyilo lusebenzisa oonobumba baseTshayina njengesiseko salo kwaye lwenza kube sesimo sangoku ulwakhiwo lombhalo wemveli wobugcisa, lugcina umoya wawo wemveli. Ngokuzimela kumbono wobuhle bezinto zaseMpuma, olu phawu ludibanisa imifanekiso yeefeni ze-ink wash kunye nezixhobo zeti. Uphawu oluphambili lubonisa ifeni nekomityi yeti ngokwakheko olugqithiselana, oku kudala intsingiselo ephindwe kabini. Imitshiza yebrashi ye-ink icebisa isakhelo samasundu efeni yesangqa yemveli, ulwakhiwo lwekomityi lususela kwiindebe zeti zaseJianzhan.

Ukuqatshelwa

Malunga ne-Ibhaso Lentsimbi le-A' Design Award

Guanshan Umsebenzi Oyintloko: Umfanekiso Wophawu Lweshishini ngumphumeleli weIbhaso Lentsimbi le-A' Design Award, ukuqatshelwa okuhlonitshwayo okunikwa imiyilo elungileyo eyanelisa iimfuno zobungcali neemveliso ezilindelekileyo kwimveliso ezicwangciswe kakuhle. Abaphumeleleyo beNtsimbi babonisa ubuchule obukhulu, ubuchule obuphezulu, ukuqonda kwengcali namandla okuyila abayili babo. Guanshan Umsebenzi Oyintloko: Umfanekiso Wophawu Lweshishini iyathenjwa ukuba ibe yimveliso exatyiswa kakhulu, edunyiswayo nethandwayo esebenzayo neyinto entsha. Lo myilo uphumeleleyo weIbhaso Lentsimbi le-A' Design Award udibanisa iindlela ezilungileyo kakhulu zemboleko kwaye unezimpawu zobuchwephesha ezifanelekileyo ezidityaniswe nolwazi netalente. Guanshan Umsebenzi Oyintloko: Umfanekiso Wophawu Lweshishini iyahlonelwa ngenxa yenkcukacha yayo kwaye yacwangciselwa ukunika uphuculo lomgangatho wobomi olunceda ukwenza ihlabathi libe yindawo engcono.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Imilinganiselo nePakishini: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Iithegi: Oriental, Creativity, Tea , Ink Painting, Chinese
Ubuchwepheshe Bokuvelisa: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Umngeni Woyilo: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Uphando: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Inkuthazo: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Ubude Beprojekthi: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Ukuhamba Komsebenzi: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Iipathenti: Copyrights belong to Hong Jia Min, 2024.
Amalungu Eqela: Hong Jia Min
Amagunya Emifanekiso: Hong Jia Min