Idẹ Àwòrán · 2026
Mei Tao Wan Idanimọ Iwoye, Eto Itọsọna Ọna
by Zilong Chen
- Àmì-ẹ̀yẹ Idẹ A' Design Award 2026 in Àwòrán
- CLIENT: City University of Macau
- Estimated Number of Design Views: 7,303
- Verification code 5EACDF48FD · Verify this award
Colors
About Mei Tao Wan Idanimọ Iwoye, Eto Itọsọna Ọna
Mei Tao Wan jẹ eto idanimọ iwoye ati itọsọna ọna fun ọgba-itura aṣa kan lori ilẹ itan ti iṣẹ-ọnà seramiki ni Foshan, orílẹ̀-èdè Ṣáínà. Apẹrẹ naa yi awọn ila igbekalẹ ti agbegbe Ileru Atijọ Nanfeng pada si egungun jiometirika kan. Egungun yii ṣe agbekalẹ iru-lẹta akanṣe ti awọn lẹta 26 ati awọn nọmba 0 si 9, papọ pẹlu awọn aami jiometirika. A ṣe awọn ami-itọkasi naa lati inu akiriliki ti o han kedere gidigidi ati irin alagbara pẹlu ipari bàbà dudu. Ina LED ti a fi sinu ipilẹ n jẹ ki ọrọ naa ṣee ka ni alẹ. Eto naa so itan-akọọlẹ ibi naa pọ mọ iṣẹ aṣa tuntun rẹ.
About the Àmì-ẹ̀yẹ Idẹ A' Design Award
Mei Tao Wan Idanimọ Iwoye, Eto Itọsọna Ọna jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Mei Tao Wan Idanimọ Iwoye, Eto Itọsọna Ọna yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Mei Tao Wan Idanimọ Iwoye, Eto Itọsọna Ọna ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Press Kit
- Unique Properties
- MEITAOWAN transforms the historic ceramic site in Foshan into a cultural hub. The design extracts the architectural structure of the Nanfeng Ancient Kiln historic district. This architectural DNA is rigorously applied to the wayfinding system evolving into a custom 3D typeface comprising 26 English letters and numbers 0 to 9. Distinct from traditional signage the implementation uses black glazed ceramics fired at 1800 degrees Celsius. This approach integrates the material soul of the site into the visual identity creating a system where every character is not just a sign but a durable eco friendly piece of ceramic art.
- Dimensions & Packaging
- Primary Physical Application Banners and Posters 600mm x 900mm. Wayfinding Totem 600mm x 1800mm x 150mm. Wall Signage 400mm x 400mm. Main Logo Application Variable sizes adapted to building facades. Materials Acrylic Stainless Steel with Black Copper Finish LED components.
- Tags
- Visual Identity, Wayfinding System, Foshan Shiwan, Ceramic Culture, Architectural Typography, Urban Renewal, Industrial Heritage, Branding.
- Production Technology
- To contrast with the rough texture of the historic red brick buildings the signage system employs modern industrial materials high transparency acrylic and stainless steel with a black copper finish. A key technical innovation is the integrated LED lighting at the base which allows the text and icons to appear as if floating in the dark. This ensures maximum legibility for night time navigation while minimizing light pollution achieving a balance between safety guidance and artistic atmosphere.
- Design Challenge
- The main challenge was to modernize traditional cultural symbols without losing their historical gravity. We needed to avoid cliché representations of ceramics while ensuring the wayfinding was functional. The solution lay in the strict geometric abstraction of the architecture converting physical building forms into a flexible typographic system that works across various scales and materials.
- Research
- The project addresses the challenge of revitalizing an industrial ruin into a modern cultural landmark. Research focused on the visual semantics of Shiwans ceramic history. By analyzing the structural lines of local heritage buildings the team developed a visual grammar that unifies the disparate spaces of the park. This approach ensures the brand identity is not just a label but a continuation of the site historical narrative providing a platform for artists to create and exhibit.
- Inspiration
- The inspiration is deeply rooted in the Nanfeng Ancient Kiln a living fossil of Foshan ceramic history. We analyzed the structural logic of the kiln sloping roofs and the surrounding historic brick buildings. By extracting these architectural lines we designed a geometric skeleton that forms the basis of the 26 letters and 0 to 9 digits. The choice of black glaze ceramic as the medium is a direct tribute to the site production heritage symbolizing the transformation of mud into eternal art through fire.
- Project Duration
- The project started in December 2023 in Foshan, China and finished in August 2024. The project is located in Shiwan, Foshan, Guangdong Province, China.
- Operation Flow
- Visitors navigate the park using intuitive geometric icons derived from the brand architectural logic. The signage acts as a silent guide linear patterns on glass surfaces create a rhythmic visual play between transparency and privacy mimicking the stacking of ceramic tiles. This immerses visitors in the ceramic culture atmosphere immediately upon entry making wayfinding an integral part of the artistic experience rather than just a functional necessity.
- Image Credits
- Image #1-5 : CHEN ZILONG