Mae Shany Abdallah Naji Cyfres Celf Graffig gan Shany Dvora yn enillydd uchel ei barch o'r 2021 Gwobr Arian A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Graffeg.
ArianGraffeg· 2021
Shany Abdallah Naji Cyfres Celf Graffig
gan Shany Dvora
Enillydd Gwobr Arian A' Design Award yn y Categori Graffeg
Enillydd Gwobr Wedi'i Wirio
Gwirio Statws Gwobr ar gyfer #121320Y Dyluniad
Am Shany Abdallah Naji Cyfres Celf Graffig
Cyfres o weithiau graffig yw Shany Abdallah Naji sy'n adfywio traddodiad enwi teuluol. Roedd y traddodiad, a ddaeth i ben pan symudodd y teulu o Irac i Israel, yn rhoi enw cyntaf i faban newydd-anedig, wedi'i ddilyn gan enwau'r tad a'r taid. Crëwyd y gyfres ar ôl darganfod hen bapurau mewnfudo'r teulu. Mae pum gwaith cyfrwng cymysg, pedwar yn mesur 50 wrth 70 centimetr ac un yn mesur 75 wrth 70 centimetr, yn plethu delweddaeth i mewn i galigraffeg Hebraeg sy'n cael ei hysbrydoli gan lawysgrifau Hebraeg o Irac, Yemen a Moroco a wnaed rhwng y 12fed a'r 15fed ganrif.
Y Gydnabyddiaeth
Am y Gwobr Arian A' Design Award
Mae Shany Abdallah Naji Cyfres Celf Graffig yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Shany Abdallah Naji Cyfres Celf Graffig fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Shany Abdallah Naji Cyfres Celf Graffig yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.
Y Tu Ôl i'r Dyluniad
Pecyn i'r Wasg
Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.
- Priodweddau Unigryw
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimensiynau a Phecynnu
- 4 works 50*70 cm
1 work 75*70 cm - Tagiau
- Calligraphy, Typography, Hebrew, Eastern
- Technoleg Cynhyrchu
- Mixed Media
- Her Dylunio
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- Ymchwil
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Ysbrydoliaeth
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Hyd y Prosiect
- 2018-2019, Israel
- Llif Gweithrediad
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- Patentau
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- Aelodau'r Tîm
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- Cydnabyddiaeth Delweddau
- Shany Dvora
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