Woman Flower Tha Cruinneachadh Maise-Gnùise by Kang Jiang

Woman Flower Tha Cruinneachadh Maise-Gnùise by Kang Jiang is a highly esteemed winner of the very prestigious 2020 Duais Airgid A' Design Award in Dealbhadh Pacaidh Competition Category.

AirgeadPacadh· 2020

Woman Flower Tha Cruinneachadh Maise-Gnùise

by Kang Jiang

Client: Lchear

Duais Airgid A' Design Award Winner in Pacadh Category

33,708

Verified Award Winner

Verify Award Status for #97132

Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About Woman Flower Tha Cruinneachadh Maise-Gnùise

Tha an cruinneachadh seo air a bhrosnachadh leis na stoidhlichean aodaich àibheiseach de bhoireannaich Eòrpach meadhan-aoiseil agus cumaidhean sealladh eòin. Thug an dealbhaiche a-mach cruthan na dhà agus chleachd e iad mar prototypes cruthachail agus gan cur còmhla ri dealbhadh toraidh gus cumadh sònraichte agus mothachadh fasan a chruthachadh, a ’nochdadh cruth beairteach agus fiùghantach.

The Recognition

About the Duais Airgid A' Design Award

Tha Woman Flower Tha Cruinneachadh Maise-Gnùise air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi Woman Flower Tha Cruinneachadh Maise-Gnùise na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha Woman Flower Tha Cruinneachadh Maise-Gnùise na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This is an exterior design. The designer integrated the delicate petal shape into the shape of the product to distinguish it from similar products. It has a unique visual and tactile recognition memory, and the dynamic form has rich fashion and beauty. Functionally, the petal-like shape is more ergonomic, and it is easier to hold and easier to use.
Dimensions & Packaging: Lipstick 21mm * 21mm * 8.7mm Mascara 18mm * 18mm * 135mm BB cream 21mm * 82mm * 21mm
Tags: Lipstick, mascara, BB cream
Production Technology: Metal mold Injection Spray coating
Design Challenge: Shape design and aesthetics
Research: Research Type: Product Styling Design Research Objective: To design a styling design that has aesthetic appeal and is different from similar products. Method: Collection of creative inspirations, sketches, drawing sketches in-depth in the design process, trying to make the shape more ergonomic, easier to hold and carry. Discuss the feasibility with the engineer during the proofing process. After everyone's cooperation and efforts, we finally reached our expected goal.
Inspiration: The idea of this set of works comes from the exaggerated clothing style of medieval European ladies and the petal shape of bird's eye view. The designer optimized these two shapes and used them as creative prototypes. Combined with the basic shape of the pipe, it has a stylish feel and presents a rich and dynamic beauty.
Project Duration: The project started in Guangzhou in September 2018 and was completed in Guangzhou in April 2019.
Operation Flow: The petal-shaped product distinguishes it from similar products in the form, and has a unique identification and memory on the visual and tactile, while the dynamic shape has a rich sense of fashion and beauty. Functionally, the petal-like shape is more in line with ergonomics, and it can be better held and easier to open in use.
Image Credits: Image # 1: Photographer Kang Jiang, 2018 Optional Image # 1, Optional Image # 2, Optional Image # 3, Optional Image # 4, Optional Image # 4: Photographer Kang Jiang, 2018