Nai Olihcuahuitl iaceiti icacaxtli ihuan ibotella ītēchcopa Antonia Skaraki

Tlanāhuatīlli Nai Olihcuahuitl iaceiti icacaxtli ihuan ibotella ītēchcopa Antonia Skaraki cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlaquimilolli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTlaquimilolli· 2025

Nai Olihcuahuitl iaceiti icacaxtli ihuan ibotella

īpal Antonia Skaraki

Tlanāhuatīlli: A|S Strategy, Branding & Communication

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlaquimilolli Tlamantli

28,228

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #161547

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Nai Olihcuahuitl iaceiti icacaxtli ihuan ibotella

In Nai empaque yancuic quitecpana in chicahualiztli ihuan in patiliztli, inic quinamictia marmol zazo motlahtlahcoltih ipan cellicayoca cacaxtin cualli olihcuahuitl iaceiti para. Quimixiptla Michelangelo ihuan in ipatiliz marmol amo quinequih ipan in huei estatua David, nochi cacaxtli caqui ce ixiptli in yancuicnequiliztli. In chicahuac Nai, Quema ipan Griego tlahtolcayotl, quiahuaya in Amo, in amo cualli tlatequipanoliztin amo quinequiliztli, quipixtoc in huelitiliztli ome tehueliz. Inon diseño amo zan quipiya in tlein iitic onca, noso quihuica ce yoliztlahtoltzintli social pan temonemacliztli ihuan cellicayotl, quineltocatia ca in tlein oquitlatlahcoltin hueliti mochihua ce yectenyo teixtlamatiliztli pan yolpaquiliztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Nai Olihcuahuitl iaceiti icacaxtli ihuan ibotella ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Nai Olihcuahuitl iaceiti icacaxtli ihuan ibotella ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Nai Olihcuahuitl iaceiti icacaxtli ihuan ibotella quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The Nai packaging is crafted from repurposed marble, making each piece unique and reinforcing the concept of transformation and reinvention. Inspired by Michelangelo's David, it symbolizes resilience by turning discarded materials into something extraordinary. The bold "Nai" (Yes) stands as a statement of defiance against rejection, encouraging second chances. This packaging not only protects its contents but also sparks a conversation about creativity, sustainability, and opportunity.
Huēyiliztli īhuān Tlacualtepēhualli: Width 200 x 200 x 200 mm / Marble Cube Box
Tōcāitl: Marble packaging, repurposed materials, water jet engraving, resilience design, sustainable packaging, premium olive oil, transformation, second chances, symbolic design, rejection
Tlachīhualiztli Māchiyōtl: The Nai packaging was created using discarded pieces of marble, which were carefully selected and shaped into a protective case for premium olive oil. The marble was processed and cut to precise dimensions to ensure the safety and integrity of the product. The name Nai was engraved using advanced water jet engraving technology, allowing for precision and clean lines. This method highlights both the sustainability of using reclaimed materials and the craftsmanship involved in transforming marble into a functional and symbolic piece.
Tlanāhuatīlli Nētēcahuilīztli: The greatest challenge of the Nai project was transforming discarded marble into functional packaging while simultaneously conveying a powerful social message. Creatively, we aimed to use the material’s journey from rejection to reinvention as a symbol of resilience. Marble, a heavy and rigid material, required careful shaping into a protective case without compromising its integrity, while also delivering the message of second chances. Additionally, balancing sustainability in sourcing discarded marble and using water jet engraving for precision were key technical challenges.
Tlatēmōliztli: We searched for pieces of marble that were rejected and were going to the rubbish bin. We gave them a chance to be something useful. And showed people how beautiful they are at the same time. They became the safeguards for a vulnerable bottle of olive oil.
Tēyōllālīliztli: The Nai project was inspired by the concept of transformation and resilience, drawn from the story of Michelangelo’s David, where the artist repurposed a rejected piece of marble into an iconic masterpiece. This idea of giving new life to discarded materials resonated with our vision to create packaging that symbolizes reinvention. Additionally, the project draws from the philosophy of embracing second chances, and challenging rejection with the affirmative Nai meaning Yes to inspire optimism and defiance in the face of adversity.
Tēquitl Cāhuitl: The project started in October 2023 in Athens, Greece and finished in January 2024 in Athens, Greece.
Tēquitl Ōhuitl: A hard case which protects the valuable olive oil. The user opens the upper part which is sealed to the body by magnets and is able to take the glass bottle that is secured inside the coarse marble box.
Patentēmeh: Copyrights belong to Antonia Skaraki, 2024
Īxiptla Tlanēxtīlli: Image #1 : Marios Antonopoulos
Image #2 : Marios Antonopoulos
Image #3 : Marios Antonopoulos
Image #4 : Marios Antonopoulos
Image #5 : Marios Antonopoulos