Woman Flower Ixāyōtl Centlamaniliztli ītēchcopa Kang Jiang

Tlanāhuatīlli Woman Flower Ixāyōtl Centlamaniliztli ītēchcopa Kang Jiang cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlaquimilolli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTlaquimilolli· 2020

Woman Flower Ixāyōtl Centlamaniliztli

īpal Kang Jiang

Tlanāhuatīlli: Lchear

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlaquimilolli Tlamantli

33,708

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #97132

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Woman Flower Ixāyōtl Centlamaniliztli

Inīn centlamaniliztli quipialia inyōllo īpan ueytilmah nemiliz achto Europa īcihuahuan īhuan totōmeh īnixittaliztlanextiliz. In tlachīuhqui oquicuili omentin intlanextiliz īhuan oquinmochīuili yōlchīhualistli īxiptlahtin, omoyoloqueh īca tlatquitl chīhualiztli īpan mochihua cē zan ceyoc tlanextilli īhuan cualli nezcayōtl, quitenextia cē miac īhuan olinqui tlanextilli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Woman Flower Ixāyōtl Centlamaniliztli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Woman Flower Ixāyōtl Centlamaniliztli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Woman Flower Ixāyōtl Centlamaniliztli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This is an exterior design. The designer integrated the delicate petal shape into the shape of the product to distinguish it from similar products. It has a unique visual and tactile recognition memory, and the dynamic form has rich fashion and beauty. Functionally, the petal-like shape is more ergonomic, and it is easier to hold and easier to use.
Huēyiliztli īhuān Tlacualtepēhualli: Lipstick 21mm * 21mm * 8.7mm Mascara 18mm * 18mm * 135mm BB cream 21mm * 82mm * 21mm
Tōcāitl: Lipstick, mascara, BB cream
Tlachīhualiztli Māchiyōtl: Metal mold Injection Spray coating
Tlanāhuatīlli Nētēcahuilīztli: Shape design and aesthetics
Tlatēmōliztli: Research Type: Product Styling Design Research Objective: To design a styling design that has aesthetic appeal and is different from similar products. Method: Collection of creative inspirations, sketches, drawing sketches in-depth in the design process, trying to make the shape more ergonomic, easier to hold and carry. Discuss the feasibility with the engineer during the proofing process. After everyone's cooperation and efforts, we finally reached our expected goal.
Tēyōllālīliztli: The idea of this set of works comes from the exaggerated clothing style of medieval European ladies and the petal shape of bird's eye view. The designer optimized these two shapes and used them as creative prototypes. Combined with the basic shape of the pipe, it has a stylish feel and presents a rich and dynamic beauty.
Tēquitl Cāhuitl: The project started in Guangzhou in September 2018 and was completed in Guangzhou in April 2019.
Tēquitl Ōhuitl: The petal-shaped product distinguishes it from similar products in the form, and has a unique identification and memory on the visual and tactile, while the dynamic shape has a rich sense of fashion and beauty. Functionally, the petal-like shape is more in line with ergonomics, and it can be better held and easier to open in use.
Īxiptla Tlanēxtīlli: Image # 1: Photographer Kang Jiang, 2018 Optional Image # 1, Optional Image # 2, Optional Image # 3, Optional Image # 4, Optional Image # 4: Photographer Kang Jiang, 2018