Floral Album Aoina o Teuga Faaonaponei e Xinyu Zheng

O le mamanu Floral Album Aoina o Teuga Faaonaponei e Xinyu Zheng o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Uʻamea i le Vaega Tauva Mamanu Laei.

UʻameaLaei· 2026

Floral Album Aoina o Teuga Faaonaponei

na mamanuina e Xinyu Zheng

Tagata Fa'atau: Tulip 'n room

Manumalo o le A' Design Award Uʻamea i le Vaega Laei

10,480

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #177958

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Floral Album Aoina o Teuga Faaonaponei

O le Floral Album o se aoina o teuga faaonaponei na musuia mai ata o le aiga mai le vaitau o le 1980. O le aoina e faia mai ie sa totoe e leʻi faaaogaina, faatasi ma le tele o metotia o galuega lima. O le suʻi ma lima, kuroseia, teuteu i pulu iila, lalaga ma le suʻi koluse ua faaaogaina i le veleveta ma ie manino faapipiʻi faalava. O pito kuroseia ma vaega lalaga e aofia ai elemene sekuini e pupula i le malamalama pe a gaoioi le tagata e ofuina. O ofu taitasi e fausia taitoatasi, o lea e leai se vaega e toe faia. O vaega uma e fetaui i so o se lapoʻa. O le aoina e fesootaʻi ai galuega lima auiliili ma le toe faaaogaina o mea faitino ua le amanaiaina.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Floral Album Aoina o Teuga Faaonaponei, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Floral Album Aoina o Teuga Faaonaponei e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Floral Album Aoina o Teuga Faaonaponei ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Fua & Fa'apipi'i: All the pieces are free size.
Fa'ailoga: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Tekonolosi Gaosiga: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Lu'itau o le Mamanu: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Su'esu'ega: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Fa'aosofia: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Umi o le Poloketi: This project was initiated in April 2023 and completed in September 2024 in New York.
Fa'agasologa o Galuega: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Pateni: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Sui o le 'Au: /
Fa'aaloaloga o Ata: Stefy Lin, 2024.