Bellamy Sans Ìrísí Lẹ́tà láti ọwọ́ Paul Robb and Moira Bartoloni jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán, Àpèjúwe àti Ìbánisọ̀rọ̀ Ojú-Ìwòran.
FàdákàÀwòrán· 2025
Bellamy Sans Ìrísí Lẹ́tà
látọ̀wọ́ Paul Robb and Moira Bartoloni
Oníbàárà: S6 Foundry
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Àwòrán
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #167745Àpẹrẹ Náà
Nípa Bellamy Sans Ìrísí Lẹ́tà
Bellamy Sans jẹ́ ìrísí-lẹ́tà sans-serif ti àkókò yìí tí ó tún àṣà grotesque ṣe ní ọ̀nà tí a túnṣe dáadáa, pẹ̀lú ojú-ọnà òde-òní. Ó dá lórí àṣà ìkọ̀wé-lẹ́tà Swiss, ó sì pa ìlànà pàtàkì ti àìṣòdì mọ́ bí ó tilẹ̀ jẹ́ pé ó ṣàgbékalẹ̀ ọ̀nà tí ó rọ̀ sí líle tí ó jẹ́ àbùdá àwọn grotesque ìbílẹ̀. Ìyàtọ̀ tí ó fara sin àti àwọn ìwọ̀ tí a ṣe pẹ̀lú ìtọ́jú fún ìrísí-lẹ́tà yìí ní ẹwà àfihàn tí ó fara sin, pẹ̀lú kíkọ́ tí ó yọ jáde láì gbẹ́kalẹ̀ lórí ọ̀ṣọ́ àfikún tí kò wúlò.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Bellamy Sans Ìrísí Lẹ́tà jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Bellamy Sans Ìrísí Lẹ́tà yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Bellamy Sans Ìrísí Lẹ́tà jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style with a refined, modern sensibility. Rooted in the tradition of Swiss typography, it maintains the core principle of neutrality while softening the rigidity often associated with classic grotesques. Its subtle contrast and carefully shaped curves lend it an understated elegance—minimalist yet expressive, free from superfluous ornamentation.
- Ìwọ̀n àti Àpò
- The book is 120 pages, with the first section demonstrating the robustness of the font in use, the back pages are dedicated to the individual weights and glyphs.
- Àwọn Àkọlé
- Type design, Typeface, Specimen
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The font was digitally created and supported by over 200 Latin languages. The cover was printed onto a recycled board, the internal pages onto 150gsm recycled paper and the book was hand-sewn.
- Ìpèníjà Àpèsè
- The primary challenge of this research lies in exploring how the utilitarian principles of historical grotesque typefaces with the nuanced sophistication of contemporary typography. It required addressing how typographic neutrality, clarity, simplicity, and versatility concepts can be reinterpreted through humanistic forms without compromising their functional essence. Additionally, the research must investigate how subtle design refinements can contribute to the evolution of modern typographic practices while honoring historical influences.
- Ìwádìí
- This research investigates the design philosophy and developmental process behind the font and explores how Bellamy Sans bridges the gap between the minimalist, utilitarian principles of historical grotesques and the nuanced sophistication of contemporary typography. Central to its design is typographic neutrality, emphasizing clarity, simplicity, and versatility. However, Bellamy Sans reinterprets these qualities through a more humanistic lens, introducing subtle refinements that balance mechanical precision with organic warmth. This research highlights the typeface’s role in evolving modern typographic practices, offering insights into how historical influences can be harmonized with contemporary design needs.
- Ìmísí
- The inspiration behind Bellamy Sans stems from a desire to bridge the gap between the functional clarity of mid-20th-century grotesque typefaces and the nuanced sophistication of contemporary design, embracing the idea of typographic neutrality—prioritizing clarity, simplicity, and versatility while reinterpreting these qualities with a more humanistic approach. The typeface was conceived to soften the rigidity often found in classic grotesques.
- Àkókò Iṣẹ́ Àkànṣe
- The initial designs were designed in November 2023 with the digital font launched in September 2024.
- Ìlànà Ìṣiṣẹ́
- The Specimen book was sent to the first ten companies that ordered the complete family.
- Àwọn Ọmọ Ẹgbẹ́
- Paul Henry Robb
Moria Bartoloni - Ìfọwọ́sí Àwòrán
- Paul Henry Robb
Oníṣọwọ́
Ṣàwárí Ju Designers.org Lọ
Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.
Díẹ̀ Síi Láti Ṣàwárí
Àwọn Àpẹrẹ Tó Jọra
Ṣàwárí àwọn àpẹrẹ mìíràn tó gba àmì ẹ̀yẹ nínú ẹ̀ka kan náà, tí a yàn nípasẹ̀ ìyege.
