Fò lọ sí àkóónú
Pagoda Idanimọ Ajọ láti ọwọ́ 1983Asia

Pagoda Idanimọ Ajọ láti ọwọ́ 1983Asia jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán, Àpèjúwe àti Ìbánisọ̀rọ̀ Ojú-Ìwòran.


IrinÀwòrán· 2020

Pagoda Idanimọ Ajọ

látọ̀wọ́ 1983Asia

Oníbàárà: 1983Asia

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Àwòrán

17,946

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #86954

Àwọ̀

Àpẹrẹ Náà

Nípa Pagoda Idanimọ Ajọ

Pagoda jẹ idanimọ ajọ ti a ṣẹda fun ile-iṣẹ eso ti orilẹ-ede China kan. A kọ idanimọ yii ni ayika awọn amóhùnmáwòrán ọbọ meji, ti a kọ́kọ́ yaworan gẹgẹ bi àwòkọ́ọ́ pẹnsulu kí wọ́n tó dàgbà síwájú pẹ̀lú ẹ̀rọ ìṣàpẹẹrẹ dígítà. A yan àwọn ọbọ nítorí pé wọ́n ní ìsopọ̀ pẹ̀lú eso nínú àṣà ìbílẹ̀ China, níbi tí wọ́n tún ń ṣàpẹẹrẹ ọgbọ́n àti ìgboyà. Àwọn amóhùnmáwòrán náà ń jó gba inú ìgbà mẹ́rin ọdún, tí àwọn òdòdó tí ó yí wọn ká sì ń yí padà pẹ̀lú ìmọ̀lára kọ̀ọ̀kan. Àwọn àwọ̀ tí a lò ń tọ́ka sí àwọn òdòdó, ìgbà ọdún, àti ẹ̀dá ìṣẹ̀dá. Ní ìtẹ̀wé, a lo ìtọ́jú ultraviolet àti ìfihàn gbígbóná (hot stamping). Èròngbà náà ni láti fi ọ̀wọ̀ hàn sí àṣà Asia pẹ̀lú ìtẹríba fún ìwà ẹ̀dá àbáyọ.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Pagoda Idanimọ Ajọ jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Pagoda Idanimọ Ajọ yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Pagoda Idanimọ Ajọ nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Pagoda is a fruit industry enterprise, as designer of their brand and mascot. 1983ASIA developed main characters based on unique Chinese culture. The characters are respectful of natural life and the gifts provided by nature. For example, monkey and peach have close natural relationship in Chinese culture. The unique color use and mascot design in this project were generated from Chinese culture.
Ìwọ̀n àti Àpò
UV, hot stamping
Àwọn Àkọlé
Package design, totem, traditional culture, Asian design, fruits
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
1983ASIA designed mascot graphic (the monkeys) from pencil draft. There are many monkey characters within the industry, and what 1983ASIA designed is not blindly follow mainstream ideas. 1983ASIA combined unique and aesthetic ideas, and transferred the draft on softwares such as AI and PS. The colour in this project is impressive because it carries deep meaning elements such as flowers, seasons and natural so on. Those elements expressed by printing technology such as UV.
Ìpèníjà Àpèsè
The Pagoda brand includes three aspects which give a window into its products for the consumer. From product, to living and concept, these three dimensions explain how Pagoda respects the environment, looks after the land, and builds up an ecosystem which focuses on its costumers. Those dimensions above all need to be delivered to customers smoothly rather than force them to believe. Even there were many elements, however, 1983ASIA developed two cute and lovely characters to help the brand demonstrate those ideas.
Ìwádìí
Chinese symbol and totem research
Ìmísí
Pagoda is a Chinese enterprise which produce fruits. 1983ASIA did research in Chinese culture and semiology, and choose monkey as mascot character. Fruits are correlated with the monkey. Monkey symbolizes wisdom and courage in China. As Asian designers, 1983ASIA wants to show world the beauty of Asian culture through design methods.
Àkókò Iṣẹ́ Àkànṣe
this project finished in end of 2017 in Shenzhen China
Ìlànà Ìṣiṣẹ́
Monkeys are correlated with the fruits, in this project, they dance in each of the four seasons, and flowers change with emotion. Grass and wood represent the seasons and flowers look forward to producing their fruits. Flowers are the symbol of a happy life, and also the expectation that nature harvest fruit. In a farming society, people use dance to communicate with the heavens and the earth, praying for a natural abundance every year, which has become popular around the world. 1983ASIA turned this joyful and beautiful art form into a part of farming aesthetics.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
1983ASIA
Àwọn Ọmọ Ẹgbẹ́
Yao
Susu
Fang Yu Qing
Jemay Ho
Zhou Xiao Jie
Ìfọwọ́sí Àwòrán
1983ASIA

Oníṣọwọ́

Ṣàwárí Ju Designers.org Lọ

Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.

Àpèsè Dídára Tọ́sí Ìmọ̀yìn Ńlá

A' Design Award jẹ́ àmì ẹ̀yẹ àgbáyé tí àwọn onídàjọ́ ń fúnni fún àpèsè dídára. Kópa nínú A' Design Award láti ní àǹfààní láti gba ìmọ̀yìn tí o tọ́sí, gba òkìkí, ọlá àti ìpolówó fún iṣẹ́ rẹ. Yan iṣẹ́ rẹ fún A' Design Award kí o sì dije fún ẹ̀bùn A' Design Prize tó gbajúmọ̀.

Yan