设计师 B'in Live Co., Ltd. 的作品 Rene Final Call 演唱会舞台设计 荣获了极具声望的 2026 A' Design Award 银奖,竞赛类别为活动与事件设计。
银活动· 2026
Rene Final Call 演唱会舞台设计
设计师: B'in Live Co., Ltd.
客户: B’in Live Co., Ltd
活动类别A' Design Award 银奖获奖者
已验证的获奖者
验证 #176733 的获奖状态设计作品
关于 Rene Final Call 演唱会舞台设计
《Rene Final Call》是一场为体育馆观众打造的巡回演唱会舞台。四面式舞台宽28米、长22米、高2.2米,确保各方位视线均衡。中央转台可升至3.6米,并与十座独立升降台协同运作,形成不断变化的地形景观。演出分为四个篇章展开,从水下场景过渡到铺满草皮与仙人掌的梯田环形结构。垂直立体LED矩阵以流动方式呈现歌词。模块化构件使整体结构可拆装重组、循环再利用。
荣誉认可
关于A' Design Award 银奖
Rene Final Call 演唱会舞台设计是 A' Design Award 银奖得主,这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品,展现出其设计师杰出的专业技能、才华与敏锐。预计Rene Final Call 演唱会舞台设计将成为一件出色的典范之作,兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明,造福并拓展艺术、科学、设计和技术的边界。Rene Final Call 演唱会舞台设计是一件令人羡慕的创作,它唤起渴望,带来积极的情感,并激发惊叹与赞叹。
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由设计师提供的致谢、团队成员及技术详情。
- 独特属性
- The four-sided stage ensures balanced sightlines, combining a ten-segment outer lifting system with a central turntable for dynamic formation shifts. The concert unfolds in four chapters. It opens with an oceanic scene as a giant jellyfish descends and Led fish surround the audience. The arena transforms into a landscape as rising platforms form terraced rings of turf and cacti. A vertical 3d Led matrix creates a waterfall of lyrics and memories, with three Led rooms marking emotional chapters.
- 尺寸与包装
- The stage measures 28 meters wide, 22 meters long, and 2.2 meters high, with the central turntable capable of elevating to 3.6 meters, synchronizing with ten independent lifts to create varying topographies. The overhead section includes mechanisms for the whale balloon, suspended truss rotation platforms, five 3D Led matrices, two adjustable lighting trusses, and four large jellyfish installations. The musicians' pit adopts a recessed layout for acoustic depth, with Unplugged segments extending onto the main stage for direct interaction.
- 标签
- 360 Degrees Stage, 3D LED Matrix, Time, Immersive Experience, Modularity, Playfulness, René Liu, Touring Concert, Final Call
- 生产技术
- The stage structure adopts standard modular components for reassembly and reuse. Mirror-finished lifting platforms extend light refraction, while the 3d Led matrix, composed of pixel-controlled light strips, delivers high transparency and immersive depth. The top dome integrates these Led arrays with dynamic trusses to form a unified light field. The curved floor Led minimizes masking panels to preserve circular continuity. The color strategy transitions from marine blue to grassy green, then narrows into a monochrome emotional palette before returning to pure white.
- 设计挑战
- The key challenge was the four-sided stage, which required precise adjustment of truss heights, lift levels, and sightline clearances at each venue. Transforming underwater scenes into live turf within four minutes demanded exact stagecraft, storage planning, and crew coordination. Under-stage compartments housed ten lifts, inflatable whale and bear props, and modular grass panels, requiring careful zoning and preplanning. The curved Led floor also needed micro-modular calibration to keep the circular imagery seamless while ensuring on-site safety.
- 研究
- The 2025 Rene Final Call Live Tour turns themes of time and memory into a spatial narrative of flight. A four-sided stage with a central turntable and ten lifts mirrors life's peaks and valleys. Four chapters, ocean, earth, memory, and Light, move from underwater calm to shared vibrancy, then reflection and illumination. A vertical 3D Led matrix cascades lyrics and visuals, while Led 'rooms' recall past works. Whale and bear props spark childlike wonder, and a paper airplane links performer and audience. Modular hardware enables reuse, reducing energy waste as the artist's 30-year journey becomes a rediscovery of memory.
- 灵感
- Rooted in the concept of 'flight,' the concert revisits the artist's lifelong creative journey and emotional memories. Time fragments are transformed into spatial metaphors, as a four-sided stage is deconstructed and reassembled into four narrative chapters, searching, growing, courage, and companionship. The audience travels across time, beginning in a tranquil underwater world and moving through kinetic lighting and shifting scenes. Each chapter reflects life's highs and lows, guiding spectators to rediscover youth, emotion, and innocence in a moving escape from reality.
- 项目周期
- The project finished in 2025 in Taiwan.
- 操作流程
- Audiences were first soothed by the 'underwater silence' of the opening scene before erupting in excitement as the whale appeared. The turf sequence fostered a sense of togetherness-fans sitting and singing along-becoming the most acclaimed segment for its intimacy. The vertical Led lyric waterfall immersed the audience, while the 'room' sequence awakened collective memories among long-time fans. Functionally, the four-sided layout ensured that even the farthest spectators could clearly see the artist's expressions, vastly improving proximity and engagement.
- 团队成员
- B’IN LIVE CO., LTD.
Producer: Yu-Yang Chou and Wen-Yu Shih
Production Assistant: Pei-Min Yeh, Wen-Chi Chang and Wen-Ying Tseng
Production Manager: Ming-Wen Tan
Stage Manager: Kuo-Hao Chou
Stage Design: Pei-Lun Kuo
Lighting Design: Rokerfly Design - Jen Wei Chan
Lighting Programmer: Ta-Hsiang Hsu
Laser Design: Chieh-Hsiu Li
Visual Design: Phototaxis.tv
Visual Design Coordinator: Nelson Wu - 图片版权
- B’IN LIVE CO., LTD.
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