Qin Uchungechunge Lwamaphosta ngu-Kaidi Mao

Umdwebo Qin Uchungechunge Lwamaphosta ngu-Kaidi Mao ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2021 Umklomelo Webhulonzi we-A' Design Award Esigabeni Somncintiswano se-Igrafikhi.

IbhulonziIgrafikhi· 2021

Qin Uchungechunge Lwamaphosta

ngu Kaidi Mao

Iklayenti: Kaidi Mao

Umnqobi we-Umklomelo Webhulonzi we-A' Design Award Esigabeni se-Igrafikhi

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Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#124488

Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Qin Uchungechunge Lwamaphosta

I-Qin uchungechunge lwamaphosta oluhumusha kabusha isiko lokupenda izithombe zemvelo zamaShayina ngokusebenzisa imidiya yedijithali. Igama elithi Qin liqhamuka egameni lesiShayina elisho ukungena noma ukugxamalaza, futhi uhlamvu olulotshiwe luhlanganisa uphawu lwamanzi kanye nolwenhliziyo. Izithombe ziqala njengezithombe ezithathwe ngekhamera bese zithuthukiswa ngamathuluzi edijithali afana ne-Photoshop, i-Cinema 4D kanye ne-Procreate. Lolu chungechunge lukhiqizwa ngosayizi ezimbili futhi lungaboniswa endabeni eshicilelwe noma esikrinini, egalari noma ekhaya. Inhloso ukuveza umbono weTao ngemvelo kubukeli bamazwe omhlaba.

Ukuqashelwa

Mayelana ne-Umklomelo Webhulonzi we-A' Design Award

Qin Uchungechunge Lwamaphosta iwinile uMklomelo Webhulonzi we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo ephawulekayo eyehlukaniswa ukudala, ubuhlakani nobukhali bengqondo. Abawinile beBhulonzi yimisebenzi enobuchule obukhulu nedala ngokumangalisayo eqinisekisa isipiliyoni esibanzi, umcabango nobuhlakani babaklami babo. Qin Uchungechunge Lwamaphosta ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo, enobungcweti obuphawulekayo nezinto ezintsha. Lo mklamo owinile uMklomelo Webhulonzi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu ebuciko, esayensi, ekuklameni nasebuchwepheshe futhi uhamba phambili ngenxa yokunaka kwawo imininingwane. Qin Uchungechunge Lwamaphosta iyanelisa izidingo ngokumangalisayo, ithinta izifiso, iheha imizwa futhi ikhanga ukufuna ukwazi.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Izilinganiso Nokupakisha: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Amathegi: Art, poster, Taoism, culture, landscape, painting
Ubuchwepheshe Bokukhiqiza: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Inselele Yokudweba: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Ucwaningo: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Ugqozi: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Ubude Bephrojekthi: The project started in September 2019, finished in May 2020 in Los Angeles.
Ukuhamba Kokusebenza: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.